Overview

This book analyzes the music that young porteñas/os (the inhabitants of Buenos Aires, Argentina) actually listen to nowadays, which, contrary to well-entrenched stereotypes, is not tango but rock nacional, cumbiaand romantic music. Chapters examine the music and what the Argentinean youth use it to say about themselves.

Full Product Details

Author:   P. Semán ,  P. Vila
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Dimensions:   Width: 14.00cm , Height: 1.60cm , Length: 21.60cm
Weight:   0.380kg
ISBN:  

9780230104631

ISBN 10:   0230104630
Pages:   191
Publication Date:   24 April 2012
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

"Introduction—Pablo Semán and Pablo Vila * Ritual transgression and grotesque realism in 1990s rock music: an ethnographer among the Bersuit—Silvia Citro * 'Rockers': Moral limits in the construction of musical communities—José Garriga Zucal * Cumbia Villera and the end of the work culture in Argentina in the 90's—Eloisa Martín * Cumbia and Latin-American migration in Buenos Aires, Argentina: Identity negotiation processes in two ethnic/national dance halls—Pablo Vila and Malvina Silba * Cumbia villera or the complex construction of masculinity and femininity in contemporary Argentina—Pablo Semán and Pablo Vila * Catholic inflections and female complicities: Syncretism in a ""fan club"" in Buenos Aires - Guadalupe Gallo, Pablo Semán, and Carolina Spataro * Pleasurable Surfaces: Sex, Religion and Electronic Music within the 1990-2010 transition folds—Guadalupe Gallo and Pablo Semán * 'RESCATE' and its consequences: Culture and religion only in singular - Guadalupe Gallo and Pablo Semán"

Reviews

An intriguing exploration of multiple conjunctures and disjunctures in the unpredictable relationships between identity and music, the chapters in this volume consistently surprise the reader by demonstrating how endless innovation and creativity produce unexpected musical fusions, which nevertheless 'make sense' when seen in retrospect and from the point of view of the music-makers and their audiences. - Peter Wade, author of Music, Race and Nation: Musica Tropical in Colombia

Author Information

PABLO FEDERICO SEMÁN is Professor at El Colegio de México. PABLO VILA is Professor in the Department of Sociology at Temple University, USA.

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