Overview

Architect Charles Moore (1925-1993) was not only celebrated for his designs; he was also an admired writer and teacher. Though he wrote clearly and passionately about places, he was perhaps unique among modern architects in avoiding the tone and stance of the personal manifesto. Through his buildings, books, and travels, Moore consistently sought insights into the questions that always underlie architecture and design: What does it mean to make a place, and how do we inhabit those places? How do we continue to build upon but respect the landscape? How do we reconcile democracy and private land ownership? What is original? What is taste? What is the relationship between past and present? How do we involve inhabitants in making places? Finally, what is public life? As the world becomes smaller, and the uniqueness of places and landscapes gives way to sameness, Moore's celebration of the vernacular and of the surprising is more relevant than ever. The pieces in this book span the years 1952 to 1993 and engage a myriad of topics and movements, such as contextualism, community participation, collaboration, environmentally sensitive design and historic preservation. The essays in this book reflect as well Moore's scholarship, humanism, urbanity and great wit.

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9780262133739

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"""With the exception of Robert Venturi, no American architect of the post-war period has written with more erudition, elegance, insight, and wit than Charles W. Moore."" - The New York Times Book Review; ""Moore was a feisty and incisive critic who wasn't content to traffic in pieties."" - Tom Vanderbilt, Interiors; ""Both a testament to a highly individual, rich, and varied intellectual, and an insight into American architectural history in the second half of the twentieth century."" - Jeremy Melvin, The Architects' Journal"""

With the exception of Robert Venturi, no American architect of the post-war period has written with more erudition, elegance, insight, and wit than Charles W. Moore. - The New York Times Book Review; Moore was a feisty and incisive critic who wasn't content to traffic in pieties. - Tom Vanderbilt, Interiors; Both a testament to a highly individual, rich, and varied intellectual, and an insight into American architectural history in the second half of the twentieth century. - Jeremy Melvin, The Architects' Journal

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