Overview

"An architectural drawing book looking at the critical practice of various methods of drawing, their conception and their reception in the world. WWW.Drawing refers to two realms - One is the realm of the three 'W' authors - West, Wines and Webb - who came to the Pennsylvania State University's Department of Architecture in late March 2013, making large-scale drawings with students on the Stuckeman family building. The other is the realm of the World Wide Web.  Today, drawing is a mediated discipline. Its value is not constituted by how ""pure"" it is, how it depicts, or how it expresses. Rather, its value is gauged in terms of critical practice: how drawing establishes and maintains a circulation between ideation and materialisation, between things intelligible and things sensible. Although drawing appears as a static thing recorded on a medium, circulation is important in its conception. This is indeed the very thing that defines it. Every great drawing must circulate between the physical activity (whether by pencil, or by keyboard) and its criticism - the latter providing reflection that results in iteration and, thus, once again, a circulation through ideation and materialisation."

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9781948765220

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At the end of WWW Drawing, in the transcript to a symposium held at The Drawing Center in New York City in May 2013, architect James Wines says, I've been through about six generations of gee-whiz-tech and, until the hair on the back of my neck stands up, there's no idea. While this may sound like the architect known for BEST Showrooms, the Highrise of Homes, and other SITE projects is promoting hand-drawing over gee-whiz-tech, he goes on to explain that both drawing by hand on drawing on computers are very useful. You've got to be able to do everything. Wines is one of the three W's in WWW Drawing. He is accompanied by Michael Webb of Archigram fame and the lesser known Mark West, who last year exhibited some interesting drawings and constructions at UQAM Centre of Design in Montreal. The three artistically minded architects were brought together by Mehrdad Hadighi and Janet Abrams for a workshop held at Pennsylvania State University's Department of Architecture in March 2013. The students produced huge collaborative drawings that are documented in this book as well as in a short film posted to Vimeo. The trilogy of W's extends to how each segment of the workshop transpired and to how the book -- published seven years after the workshop -- is structured. Each segment of the workshop took over a single space at the Stuckeman School of Architecture, which helped determine what surfaces the students drew upon. The stepped space was ideal for the exquisite corpse format proffered by Webb; West had his students trace projected images on the wall; and Wines put the students on the floor, having them peer at the drawing from the mezzanine to see its evolution. The workshop drawings are presented in the middle of the section of the book, mainly through images taken from the video linked above. They fall between the image-heavy contributions from the three W's at the start of the book, and short contributions from the presenters at the symposium, who are listed above in the publisher's description. For such a slim book, there's a lot packed into it, much of which will be of interest to people who did not participate in the workshop or symposium. Even nearly eight years after Wines spoke those words above, architects are still trying to discover ways of balancing hand drawing and digital methods, of figuring out how to do everything. This book charts a few potential paths. --John Hill, A Daily Dose of Architecture

Author Information

Mehrdad Hadighu is Professor and Head of the Department of Architecture at Pennsylvania State University and Stuckeman Chair of Integrative Design.

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