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OverviewWorking Backstage illuminates the work of New York City’s theater technicians, shining a light on the essential contributions of unionized stagehands, carpenters, electricians, sound engineers, properties artisans, wardrobe crews, makeup artists, and child guardians. Too-often dismissed or misunderstood as mere functionaries, these technicians are deeply engaged in creative problem-solving and perform collaborative, intricate choreographed work that parallels the performances of actors, singers, and dancers onstage. Although their contributions have fueled the Broadway machine, their contributions have been left out of most theater histories.Theater historian Christin Essin offers clear and evocative descriptions of this invaluable labor, based on her archival research and interviews with more than 100 backstage technicians, members of the New York locals of the International Alliance of Theatrical Stage Employees. A former theater technician herself, Essin provides readers with an insider’s view of the Broadway stage, from the suspended lighting bridge of electricians operating followspots for A Chorus Line; the automation deck where carpenters move the massive scenic towers for Newsies; the makeup process in the dressing room for The Lion King; the offstage wings of Matilda the Musical, where guardians guide child actors to entrances and exits. Working Backstage makes an significant contribution to theater studies and also to labor studies, exploring the politics of the unions that serve backstage professionals, protecting their rights and insuring safe working conditions. Illuminating the history of this typically hidden workforce, the book provides uncommon insights into the business of Broadway and its backstage working relationships among cast and crew members. Full Product DetailsAuthor: Christin EssinPublisher: The University of Michigan Press Imprint: The University of Michigan Press Dimensions: Width: 14.80cm , Height: 2.20cm , Length: 23.10cm Weight: 0.333kg ISBN: 9780472074969ISBN 10: 0472074962 Pages: 288 Publication Date: 30 September 2021 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Not yet available This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsList of Illustrations Acknowledgments Part I: Backstage Narratives Prologue Introduction: Shining a Light on Backstage Labor Chapter One: Working and Workers in New York City’s Theater Industry Part II: Backstage Histories Chapter Two: Commemoration as Union History Chapter Three: Stagehands in Black and White Chapter Four: Backstage Subjectivities, Work Choreographies, and Production Histories Part III: Backstage Dramaturgies Essay 1: Reading the Rude Mechanicals Essay 2: Dressers Onstage and Dressing Offstage Essay 3: Backstage Ensembles Coda Bibliography and Works CitedReviewsWorking Backstage is groundbreaking, fresh, and incisive . . . the depth, breadth, and richness of the ethnographic research underpinning the book's arguments is extraordinary. The author's personal connection to the profession, her self-awareness and introspection about women's and men's technical work in theater add value and richness to the text. ---Timothy White, New Jersey City University This book's attention to contemporary technicians' work lives, their ambitions, and how they perceived of their labor is illuminating. Simultaneously, it highlights the operations and effects of theatrical hierarchies on individuals, theatrical culture, and workplace relationships. ---Ann Folino White, Michigan State University Working Backstage is groundbreaking, fresh, and incisive . . . the depth, breadth, and richness of the ethnographic research underpinning the book's arguments is extraordinary. The author's personal connection to the profession, her self-awareness and introspection about women's and men's technical work in theater add value and richness to the text. ---Timothy White, New Jersey City University This book's attention to contemporary technicians' work lives, their ambitions, and how they perceived of their labor is illuminating. Simultaneously, it highlights the operations and effects of theatrical hierarchies on individuals, theatrical culture, and workplace relationships. ---Ann Folino White, Michigan State University Author InformationChristin Essin is Associate Professor of Theatre History at Vanderbilt University. Tab Content 6Author Website:Countries AvailableAll regions |