Wong Kar-Wai

Author:   Peter Brunette
Publisher:   University of Illinois Press
ISBN:  

9780252029929


Pages:   176
Publication Date:   22 March 2005
Replaced By:   9780252072376
Format:   Hardback
Availability:   Out of stock   Availability explained


Our Price $171.60 Quantity:  
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Wong Kar-Wai


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Overview

Wong Kar-Wai traces this immensely exciting director's perennial themes of time, love, and loss, and examines the political implications of his films, especially concerning the handover of former British colony Hong Kong to the People's Republic of China. This book is the first in any language to cover all of Wong's work, from his first film, As Tears Go By, to his most recent, the still unreleased 2046. It also includes his best?known, highly honored films, Chungking Express, Happy Together, and above all, In the Mood for Love. Most importantly, Peter Brunette describes the ways in which Wong's supremely visual films attempt to create a new form of cinema by relying on stunning, suggestive visual images and audio tracks to tell their story, rather than on traditional notions of character, dialogue, and plot. The question of Wong Kar-wai's use of genre film techniques in art films is also explored in depth.

Full Product Details

Author:   Peter Brunette
Publisher:   University of Illinois Press
Imprint:   University of Illinois Press
Dimensions:   Width: 14.00cm , Height: 1.60cm , Length: 21.00cm
Weight:   0.367kg
ISBN:  

9780252029929


ISBN 10:   0252029925
Pages:   176
Publication Date:   22 March 2005
Audience:   Professional and scholarly ,  Professional & Vocational
Replaced By:   9780252072376
Format:   Hardback
Publisher's Status:   Out of Print
Availability:   Out of stock   Availability explained

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An insightful and encompassing look at an important director. -- Film International


Author Information

Peter Brunette was the Reynolds Professor of Film Studies at Wake Forest University. He wrote books on Roberto Rossellini and Michelangelo Antonioni and was the coauthor of Screen/Play: Derrida and Film Theory. He was chief critic for indieWIRE.com and reviewed regularly for the British trade journal, Screen International.

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