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OverviewFull Product DetailsAuthor: Joni M. HandPublisher: Taylor & Francis Ltd Imprint: Routledge Edition: New edition Dimensions: Width: 15.60cm , Height: 1.60cm , Length: 23.40cm Weight: 0.703kg ISBN: 9781409450238ISBN 10: 1409450236 Pages: 266 Publication Date: 28 January 2013 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviews'The area of medieval women's literacy, patronage, and engagement with books and visual culture more broadly is one that warrants continued expansion, and Joni M. Hand's book undoubtedly makes an important contribution to this field. Furthermore, it also stands as a worthy model of scholarly work that straddles medieval and Renaissance or Early Modern studies. Especially in art history, these fields remain surprisingly and unfortunately distanced from one another, and projects like this one are key to alleviating this gap.' Sehepunkte 'By looking deeply at these manuscripts, the reader is able to learn much about the self-expression and self-definition of the women who commissioned and used these materials.' Magistra 'Hand's study will have special appeal to graduate students and scholars new to the area of women's patronage studies in this French milieu, for she provides encapsulated biographies of the many women who owned, commissioned, gave, inherited, or even borrowed manuscript books.' Speculum '...a thoroughgoing survey of female book-owners in the late Middle Ages... Hand's detailed examination of specific examples, generously illustrated, allows her to explore the personal meaning that many of these books may have had for their owners.' Medium Aevum 'Readers from many disciplines will appreciate the extensive overview Hand provides ... intriguing associations between the images, the women who owned the manuscripts, and the richness of their religious and personal context.' Early Modern Women Journal 'Hand's argument is compelling. She offers to art historians, book historians, and literary scholars both a useful synthesis of existing scholarship and an insightful new perspective on how noblewomen actively participated in the literary and cultural life of their courts.' SHARP News 'The area of medieval women's literacy, patronage, and engagement with books and visual culture more broadly is one that warrants continued expansion, and Joni M. Hand's book undoubtedly makes an important contribution to this field. Furthermore, it also stands as a worthy model of scholarly work that straddles medieval and Renaissance or Early Modern studies. Especially in art history, these fields remain surprisingly and unfortunately distanced from one another, and projects like this one are key to alleviating this gap.' Sehepunkte 'By looking deeply at these manuscripts, the reader is able to learn much about the self-expression and self-definition of the women who commissioned and used these materials.' Magistra 'Hand’s study will have special appeal to graduate students and scholars new to the area of women’s patronage studies in this French milieu, for she provides encapsulated biographies of the many women who owned, commissioned, gave, inherited, or even borrowed manuscript books.' Speculum '...a thoroughgoing survey of female book-owners in the late Middle Ages... Hand's detailed examination of specific examples, generously illustrated, allows her to explore the personal meaning that many of these books may have had for their owners.' Medium Aevum 'Readers from many disciplines will appreciate the extensive overview Hand provides ... intriguing associations between the images, the women who owned the manuscripts, and the richness of their religious and personal context.' Early Modern Women Journal 'Hand's argument is compelling. She offers to art historians, book historians, and literary scholars both a useful synthesis of existing scholarship and an insightful new perspective on how noblewomen actively participated in the literary and cultural life of their courts.' SHARP News 'The area of medieval women's literacy, patronage, and engagement with books and visual culture more broadly is one that warrants continued expansion, and Joni M. Hand's book undoubtedly makes an important contribution to this field. Furthermore, it also stands as a worthy model of scholarly work that straddles medieval and Renaissance or Early Modern studies. Especially in art history, these fields remain surprisingly and unfortunately distanced from one another, and projects like this one are key to alleviating this gap.' Sehepunkte 'By looking deeply at these manuscripts, the reader is able to learn much about the self-expression and self-definition of the women who commissioned and used these materials.' Magistra 'Hands study will have special appeal to graduate students and scholars new to the area of women's patronage studies in this French milieu, for she provides encapsulated biographies of the many women who owned, commissioned, gave, inherited, or even borrowed manuscript books.' Speculum '...a thoroughgoing survey of female book-owners in the late Middle Ages... Hand's detailed examination of specific examples, generously illustrated, allows her to explore the personal meaning that many of these books may have had for their owners.' Medium Aevum 'Readers from many disciplines will appreciate the extensive overview Hand provides ... intriguing associations between the images, the women who owned the manuscripts, and the richness of their religious and personal context.' Early Modern Women Journal 'Hand's argument is compelling. She offers to art historians, book historians, and literary scholars both a useful synthesis of existing scholarship and an insightful new perspective on how noblewomen actively participated in the literary and cultural life of their courts.' SHARP News 'The area of medieval women's literacy, patronage, and engagement with books and visual culture more broadly is one that warrants continued expansion, and Joni M. Hand's book undoubtedly makes an important contribution to this field. Furthermore, it also stands as a worthy model of scholarly work that straddles medieval and Renaissance or Early Modern studies. Especially in art history, these fields remain surprisingly and unfortunately distanced from one another, and projects like this one are key to alleviating this gap.' Sehepunkte 'By looking deeply at these manuscripts, the reader is able to learn much about the self-expression and self-definition of the women who commissioned and used these materials.' Magistra 'Hand's study will have special appeal to graduate students and scholars new to the area of women's patronage studies in this French milieu, for she provides encapsulated biographies of the many women who owned, commissioned, gave, inherited, or even borrowed manuscript books.' Speculum '...a thoroughgoing survey of female book-owners in the late Middle Ages... Hand's detailed examination of specific examples, generously illustrated, allows her to explore the personal meaning that many of these books may have had for their owners.' Medium Aevum 'Readers from many disciplines will appreciate the extensive overview Hand provides ... intriguing associations between the images, the women who owned the manuscripts, and the richness of their religious and personal context.' Early Modern Women Journal 'Hand's argument is compelling. She offers to art historians, book historians, and literary scholars both a useful synthesis of existing scholarship and an insightful new perspective on how noblewomen actively participated in the literary and cultural life of their courts.' SHARP News 'The area of medieval women's literacy, patronage, and engagement with books and visual culture more broadly is one that warrants continued expansion, and Joni M. Hand's book undoubtedly makes an important contribution to this field. Furthermore, it also stands as a worthy model of scholarly work that straddles medieval and Renaissance or Early Modern studies. Especially in art history, these fields remain surprisingly and unfortunately distanced from one another, and projects like this one are key to alleviating this gap.' Sehepunkte 'By looking deeply at these manuscripts, the reader is able to learn much about the self-expression and self-definition of the women who commissioned and used these materials.' Magistra 'Hand's study will have special appeal to graduate students and scholars new to the area of women's patronage studies in this French milieu, for she provides encapsulated biographies of the many women who owned, commissioned, gave, inherited, or even borrowed manuscript books.' Speculum '...a thoroughgoing survey of female book-owners in the late Middle Ages... Hand's detailed examination of specific examples, generously illustrated, allows her to explore the personal meaning that many of these books may have had for their owners.' Medium Aevum 'Readers from many disciplines will appreciate the extensive overview Hand provides ... intriguing associations between the images, the women who owned the manuscripts, and the richness of their religious and personal context.' Early Modern Women Journal 'Hand's argument is compelling. She offers to art historians, book historians, and literary scholars both a useful synthesis of existing scholarship and an insightful new perspective on how noblewomen actively participated in the literary and cultural life of their courts.' SHARP News Author InformationJoni M. Hand is an Assistant Professor of Art History at Southeast Missouri State University. She specializes in manuscripts produced in Northern Europe and gender in the late Middle Ages. Tab Content 6Author Website:Countries AvailableAll regions |
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