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OverviewWomen and men in cinema are imaginary constructs created by filmmakers and their audiences. The film-psychoanalytic approach reveals how movies subliminally influence unconscious reception. On the other hand, the movie is embedded in a cultural tradition: Jean Cocteau's film La Belle et la Bete (1946) takes up the classic motif of the animal groom from the story of Cupid and Psyche in Apuleius' The Golden Ass (originally a tale about the stunning momentum of genuine female desire), liberates it from its baroque educational moral (a girl's virtue and prudence will help her to overcome her sexual fears), and turns it into a boyhood story: inside the ugly rascal there is a good, but relatively boring prince - at least in comparison to the monsters of film history. In the seventy years since it was made, La Belle et la Bete has inspired numerous interpretations and has been employed by theorists of all genres and interests. In this book, Andreas Hamburger and other contributors consider its background, content, and reception, and explore the impact Cocteau has on our perceptions of beauties and beasts.Introducing the monster as a suffering person, Cocteau's film reacts to the disturbing experience of World War II and the Holocaust. It questions hegemonial masculinity, designing a poetic, hallucinatory attempt at healing for a traumatized generation. Moreover, it addresses female and male adolescent development. Its deliberately incredible finale ironically portrays traditional constructs of femininity and masculinity, thus going beyond the scope of a compensatory fairy tale. Full Product DetailsAuthor: Andreas HamburgerPublisher: Taylor & Francis Ltd Imprint: Karnac Books Dimensions: Width: 14.70cm , Height: 1.00cm , Length: 23.00cm Weight: 0.272kg ISBN: 9781782202905ISBN 10: 1782202900 Pages: 192 Publication Date: 12 October 2015 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsAuthor InformationAndreas Hamburger is a Professor of Psychology at the International Psychoanalytic University, Berlin, and a psychoanalyst who writes on literature, film, and psychoanalysis, among other topics. He is a member of the Munich Work Group on Film and Psychoanalysis. Tab Content 6Author Website:Countries AvailableAll regions |