Overview

A spy is dead. A legend is born. This is how it all began. The explosive prequel to Casino Royale, from bestselling author Anthony Horowitz. The story begins in Moscow where a new organisation, Stalnaya Ruska, Iron Hand - a successor to Smersh - is planning a major act of terrorism which is intended to destabilise relations between east and west. Meanwhile, Bond is returning from Jamaica and his encounter with Scaramanga (The Man with the Golden Gun). He is aware of a world that is changing all too rapidly around him. The old certainties of the post-years have gone. The intelligence services are no long trusted. He is beginning to wonder if his ""license to kill"" may even be valid any more. As he ponders his own future, Bond is given his next assignment- discover what Stalnaya Ruska is planning and prevent it from happening. To do this, he will have to make the Russians believe he is a double agent and travel behind the Iron Curtain. But first, he will have to persuade Sonya Dragunova that he is what he says he is. A psychiatric analyst as brilliant as she is beautiful, Sonya knows more of what's happening in Bond's mind than he does himself. She is also hiding secrets of her own. This is a love affair that is also a very dangerous game. And Sonya is working for a man who has played his part in two Bond novels but has never yet appeared. A Fleming creation, the evil genius behind Stalnaya Ruka may be Bond's most dangerous enemy yet.

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9781529114928

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Reviews

The super spy is back, with a fresh injection from novelist and screenwriter extraordinaire, Anthony Horowitz. The expert in suspense takes us back to the beginning of James Bond’s story… the story rips along with plenty of familiar Bond staples: evil villains, fast cars and women falling for young Bond’s charms. Ian Fleming would be proud. * Guardian * Daring, exciting, and also superbly plotted, it shows Bond questioning his loyalties at the end of his career. It marks a fitting end to a trilogy from Horowitz that Fleming would surely have approved of -- Jon Coates * Sunday Express * In many ways, Horowitz has now surpassed Fleming and the final book in his Bond trilogy is a masterpiece. It's a literary thriller writing at its page-turning finest.' * Daily Express * Horowitz is a worthy successor to Ian Fleming, putting 007 back in his true domain… This New Bond is up there with the better Old Bonds… The denouement is a very fine piece of action writing… Horowitz has done splendidly. * Scotsman * Horowitz is a worthy successor to Ian Fleming, putting 007 back in his true domain… This New Bond is up there with the better Old Bonds… The denouement is a very fine piece of action writing… Horowitz has done splendidly. * Scotsman *

Daring, exciting, and also superbly plotted, it shows Bond questioning his loyalties at the end of his career. It marks a fitting end to a trilogy from Horowitz that Fleming would surely have approved of -- Jon Coates * Sunday Express * The super spy is back, with a fresh injection from novelist and screenwriter extraordinaire, Anthony Horowitz. The expert in suspense takes us back to the beginning of James Bond's story... the story rips along with plenty of familiar Bond staples: evil villains, fast cars and women falling for young Bond's charms. Ian Fleming would be proud. * Guardian * In many ways, Horowitz has now surpassed Fleming and the final book in his Bond trilogy is a masterpiece. It's a literary thriller writing at its page-turning finest.' * Daily Express * Horowitz is a worthy successor to Ian Fleming, putting 007 back in his true domain... This New Bond is up there with the better Old Bonds... The denouement is a very fine piece of action writing... Horowitz has done splendidly. * Scotsman * Horowitz is a worthy successor to Ian Fleming, putting 007 back in his true domain... This New Bond is up there with the better Old Bonds... The denouement is a very fine piece of action writing... Horowitz has done splendidly. * Scotsman *

The super spy is back, with a fresh injection from novelist and screenwriter extraordinaire, Anthony Horowitz. The expert in suspense takes us back to the beginning of James Bond's story... the story rips along with plenty of familiar Bond staples: evil villains, fast cars and women falling for young Bond's charms. Ian Fleming would be proud. * Guardian * Daring, exciting, and also superbly plotted, it shows Bond questioning his loyalties at the end of his career. It marks a fitting end to a trilogy from Horowitz that Fleming would surely have approved of -- Jon Coates * Sunday Express * In many ways, Horowitz has now surpassed Fleming and the final book in his Bond trilogy is a masterpiece. It's a literary thriller writing at its page-turning finest.' * Daily Express * Horowitz is a worthy successor to Ian Fleming, putting 007 back in his true domain... This New Bond is up there with the better Old Bonds... The denouement is a very fine piece of action writing... Horowitz has done splendidly. * Scotsman * Horowitz is a worthy successor to Ian Fleming, putting 007 back in his true domain... This New Bond is up there with the better Old Bonds... The denouement is a very fine piece of action writing... Horowitz has done splendidly. * Scotsman *

Author Information

Bestselling author Anthony Horowitz has written two highly acclaimed Sherlock Holmes novels, The House of Silk and Moriarty; two James Bond novels, Trigger Mortis and Forever and a Day; three Detective Hawthorne novels, The Word is Murder, The Sentence is Death and the forthcoming A Line To Kill, and the acclaimed bestselling mystery novels Magpie Murders and Moonflower Murders. He is also the author of the teen spy Alex Rider series, and responsible for creating and writing some of the UK's most loved and successful TV series, including Midsomer Murders and Foyle's War. In January 2014 he was awarded an OBE for his services to literature.

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