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Overview"""Modesty and discretion characterize everything Christenberry touches.” –Richard B. Woodward, The New York Times William Christenberry is firmly established as a contemporary American master photographer, but no comprehensive overview of his diverse talents is currently in print. This 260-page volume--the largest Christenberry overview yet published--corrects this lacuna, offering a thematic survey of his half-century-long career. It is composed of 13 sections, each devoted to a particular series or theme: the wooden sculptures of Southern houses, cafes and shops; the early, black-and-white, Walker Evans-influenced photographs of Southern interiors, taken in Alabama and Mississippi in the early 60s; documentations of Ku Klux Klan meeting houses and rallies, from the mid-1960s; color photographs of tenant houses in Alabama, from 1961 to 1978; signs in landscapes, ranging from handwritten gas station signs to Klan and corporate signs; graves (which, through Christenberry's lens, emerge as a kind of folk art); churches in Alabama, Delaware and Mississippi, taken between the mid-1960s and the 80s; Alabama street scenes, in towns such as Demopolis, Marion and Greensboro; street scenes in Tennessee (mostly Memphis); Southern landscapes; gas stations, trucks and cars in Alabama; and a selection from Christenberry's famous series of buildings to which he returns annually, photographing them over several decades-the palmist building, the Underground Nite Club, Coleman's Cafe, the Bar-B-Q Inn, the Green Warehouse and the Christenberry family home, near Stewart, Alabama. William Christenberry (born 1936) has been a professor at the Corcoran College of Art and Design, Washington, D.C., since 1968. His work has been the subject of numerous solo exhibitions over the last 40 years, and can be found in numerous permanent collections, including those of the Smithsonian American Art Museum, Washington, D.C.; The Museum of Modern Art and Whitney Museum of American Art, New York; San Francisco Museum of Modern Art; and the Center for Creative Photography, Tucson. His work was the subject of a major year-long solo exhibition at the Smithsonian American Art Museum in 2006." Full Product DetailsAuthor: William Christenberry , François Cadava , Carlos Martin , Justo NavarroPublisher: Distributed Art Publishers Imprint: TF Editores/Fundacion Mapfre/D.A.P. Dimensions: Width: 23.10cm , Height: 3.60cm , Length: 25.70cm Weight: 1.588kg ISBN: 9781938922275ISBN 10: 1938922271 Pages: 260 Publication Date: 16 January 2014 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Out of stock The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsReviewsThe 260-page volume is divided into 13 sections - each dedicated to a recurring theme in Christenberry's works - and covers the range of his career, from early black-and-white photos of interiors clearly influenced by Christenberry's original hero, Evans, to the buildings he returns to annually, including the Bar-B-Q Inn and his grandparents' home in Alabama.--Molly Young WSJ (09/01/2013) Alabama pulses deep within the artistic DNA of the photographer William Christenberry, born in Tuscaloosa in 1936. And these photographs, most taken in Alabama in the 1960s and '70s, tell takes of an older, vanished South from inside that South.--Dana Jennings The New York Times (02/20/2014) Author InformationTab Content 6Author Website:Countries AvailableAll regions |