Willehad Eilers / Wayne Horse: Tanz auf der Klinge / Hold me

Author:   Galerie Droste ,  Katharina Galladé ,  Harlan Levey
Publisher:   Kerber Verlag
ISBN:  

9783735609410


Pages:   216
Publication Date:   11 January 2024
Format:   Hardback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Willehad Eilers / Wayne Horse: Tanz auf der Klinge / Hold me


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Author:   Galerie Droste ,  Katharina Galladé ,  Harlan Levey
Publisher:   Kerber Verlag
Imprint:   Kerber Verlag
Weight:   0.753kg
ISBN:  

9783735609410


ISBN 10:   3735609414
Pages:   216
Publication Date:   11 January 2024
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Willehad Eilers (1981, Peine, Germany) also works under the pseudonym Wayne Horse. Beginning his career in the German graffiti scene, Eilers later went on to graduate from the RijksAkademie in Amsterdam. He continues to live and work in the Dutch capital today. His eclectic body of work comprises painting, drawing, video and installation, and is distinctive for its lyrical quality, playful humour and expressiveness. A recurring narrative in his oeuvre revolves around the bizarre, occasionally ugly but always compelling aspects of humanity.To refer to Willehad Eilers as an artist-ethnographer is not too much of a stretch. Describing his practice as an investigation of the heuristically learnt political and cultural mores that define contemporary society, Eilers gently nudges us towards a poetic realisation of our social selves through his highly performative range of paintings, videos and drawings. Infused with a mischievous, effortless confidence, Eilers’ crude-style works offer us anthropological insight into his observations of the flawed human condition and its perpetual evolution. He unflinchingly presents us with images that convey the disposition of the modern individual towards grotesque, even masturbatory obsessions. Underlying his practice is an artistic methodology that recalls the theorist James Clifford’s concept of “ethnographic surrealism”: he assails the quotidian situations that we think are familiar, and renders them unrecognisable. By mounting successive challenges to the hegemonic boundaries of our imagination, Eilers provokes his viewers into directly interacting with his highly unique works.

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