Overview

In the 1970s, Southern Africa became the major locale for African filmmaking with an increasing use of the Kalahari Desert, Okavango Delta and Kruger Park area. This study examines the relationship between filmmaking in Southern Africa and international broadcasters and audiences, and argues that previous accounts have neglected the importance of innovations from Southern Africa.

Full Product Details

Author:   Ian Glenn
Publisher:   Anthem Press
Imprint:   Anthem Press
Dimensions:   Width: 15.30cm , Height: 2.60cm , Length: 22.90cm
Weight:   0.454kg
ISBN:  

9781839981500

ISBN 10:   1839981504
Pages:   286
Publication Date:   11 October 2022
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand  
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction: The social, political and technological background; Chapter 1: The Kruger and the politics of conservation; Chapter 2: Catching rhinos: from Ian Player to John Wayne; Chapter 3: East to South: why African wildlife filmmaking moved from East to Southern Africa; Chapter 4: Alan Root in Kenya and the Bartletts in Southern Africa; Chapter 5: Michael Rosenberg and cultural brokering; Chapter 6: David and Carol Hughes; Chapter 7: Dieter Plage and South West Africa; Chapter 8: John Varty and the role of the private lodge; Chapter 9: Technology transfers and local innovations; Chapter 10: The new millennium: Kim Wolhuter, the Jouberts and Mad Mike and Mark; Chapter 11: The future of the genre?: WildEarth television and the attractions of wildlife live; Conclusion.

Reviews

This is a vividly written and innovative book on wildlife filmmakers in southern Africa. Ian Glenn explains how they emerged at the top of their field globally, were awarded Emmys and Golden Pandas, and reached a mass audience. He celebrates their contribution to a sympathetic understanding of wild animals and to environmental conservation. -- William Beinart, Emeritus Professor, St Antony's College, University of Oxford, UK. Ian has done an excellent job of finding the gems in thousands of sources to capture the essence of wildlife filmmaking, a strange intangible blend of science and art, intuition and discipline, and most of all a profession with profound passions to save the planet. Dereck Joubert. A wildlife adventure like no other - not solely in media studies, zoology or literature. This is a work of recovery, review, and restitution. It 'is a theoretical game-changer, told from the perspectives of the filmmakers themselves. Readers are taken on a rollicking safari that redefines documentary film theory. The real analysis is in the backstories, the paper trails, and in the decision-making networks. - Keyan G. Tomaselli, University of Johannesburg, and recipient of the 'Heroes and Legends Award, and Simon 'Mbunu' Sabela Awards. Wildlife Documentaries in Southern Africa explores a vast and neglected terrain within the field of wildlife documentary studies. Glenn's Polemical approach and enthusiasm for archival adventure not only broadens our understanding of the ecology of wildlife filmmaking, but it also emphasizes the significance of these films in Southern African screen cultures. - Dr. Ian-Malcolm Rijsdijk, Senior Lecturer, Centre for Film and Media Studies, University of Cape Town, South Africa.

Author Information

Ian Glenn is Emeritus Professor of Media Studies at the University of Cape Town and the author of First Safari: Searching for Francois Levaillant.

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