Free Delivery Over $100
|
|
|||
|
||||
OverviewWhitewashing the Movies addresses the popular practice of excluding Asian actors from playing Asian characters in film. Media activists and critics have denounced contemporary decisions to cast White actors to play Asians and Asian Americans in movies such as Ghost in the Shell and Aloha. The purpose of this book is to apply the concept of ""whitewashing"" in stories that privilege White identities at the expense of Asian/American stories and characters. To understand whitewashing across various contexts, the book analyzes films produced in Hollywood, Asian American independent production, and US-China co-productions. Through the analysis, the book examines the ways in which whitewashing matters in the project of Whiteness and White racial hegemony. The book contributes to contemporary understanding of mediated representations of race by theorizing whitewashing, contributing to studies of Whiteness in media studies, and producing a counter-imagination of Asian/American representation in Asian-centered stories. Full Product DetailsAuthor: David C OhPublisher: Rutgers University Press Imprint: Rutgers University Press Dimensions: Width: 15.20cm , Height: 1.50cm , Length: 22.90cm Weight: 0.426kg ISBN: 9781978808638ISBN 10: 1978808631 Pages: 210 Publication Date: 15 October 2021 Recommended Age: From 18 to 99 years Audience: College/higher education , College/higher education , Professional and scholarly , Tertiary & Higher Education , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction 1 Whitewashing Romance in Hawai’i: Aloha 2 White China Experts, Asian American Twinkies: Shanghai Calling and Already Tomorrow in Hong Kong 3 White Grievance, Heroism, and Postracist, Mixed-Race Inclusion in 47 Ronin 4 Satire and the Villainy of Kim Jong-un: The Interview 5 White Survival in Southeast Asia: No Escape and The Impossible 6 Whitewashing Anime Remakes: Ghost in the Shell and Dragonball Evolution 7 Transnational Coproduction and the Ambivalence of White Masculine Heroism: The Great Wall, Outcast, and Enter the Warriors Gate Conclusion Acknowledgments Notes References IndexReviews""David Oh offers a compelling study into the ways that Whiteness has shaped films. His analysis sheds light on the ways how films are influenced, and frames how are they are consumed in a process he calls whitewashing. His brilliant and insightful study challenges how we understand Asian and Asian American media representation.""— ""David Oh’s Whitewashing the Movies proffers an incisive and captivating critique of the cinematic Whitewashing work that has stripped Asian American subjectivity since 2008. Oh provides a detailed and thoughtful dissection of the operations and elements in such Whitewashing. And the book does not stop there though; it reimagines what Asian American subjectivities would look like if no such cinematic Whitewashing took place. With this, Oh provides a reimagination of Asian American representational and real worlds (our own cinematic future)."" — ""David C. Oh’s Whitewashing the Movies: Asian Erasure and White Subjectivity in U.S. Film Culture makes a strong case that these are still relevant approaches for scholars and critics seeking to make sense of Hollywood’s continued displacement of Asian characters on-screen, even when box-office analysis confirms over and over that stories about nonwhite characters reap significant financial returns....[I]f Oh’s target is Hollywood, he strikes it with example after example, a repetitive bull’s-eye that shows no mercy for the liberal hypocrisy and creative stagnation of Hollywood’s 'colorblind' racism.""— Film Quarterly ""David Oh offers a compelling study into the ways that Whiteness has shaped films. His analysis sheds light on the ways how films are influenced, and frames how are they are consumed in a process he calls whitewashing. His brilliant and insightful study challenges how we understand Asian and Asian American media representation.""— Tom Nakayama, Editor of the Journal of International and Intercultural Communication ""David C. Oh’s Whitewashing the Movies: Asian Erasure and White Subjectivity in U.S. Film Culture makes a strong case that these are still relevant approaches for scholars and critics seeking to make sense of Hollywood’s continued displacement of Asian characters on-screen, even when box-office analysis confirms over and over that stories about nonwhite characters reap significant financial returns....[I]f Oh’s target is Hollywood, he strikes it with example after example, a repetitive bull’s-eye that shows no mercy for the liberal hypocrisy and creative stagnation of Hollywood’s 'colorblind' racism.""— Film Quarterly ""David Oh’s Whitewashing the Movies proffers an incisive and captivating critique of the cinematic Whitewashing work that has stripped Asian American subjectivity since 2008. Oh provides a detailed and thoughtful dissection of the operations and elements in such Whitewashing. And the book does not stop there though; it reimagines what Asian American subjectivities would look like if no such cinematic Whitewashing took place. With this, Oh provides a reimagination of Asian American representational and real worlds (our own cinematic future)."" — Rona Tamiko Halualani, Professor of Intercultural Communication, San Jose State University David Oh offers a compelling study into the ways that whiteness has shaped films. His analysis sheds light on the ways that films influence and frame consuming them in a process he calls whitewashing. His brilliant and insightful study challenges how we understand Asian and Asian American media representation. David Oh's Whitewashing the Movies proffers an incisive and captivating critique of the cinematic Whitewashing work that has stripped Asian American subjectivity since 2008. Oh provides a detailed and thoughtful dissection of the operations and elements in such Whitewashing. And the book does not stop there though; it reimagines what Asian American subjectivities would look like if no such cinematic Whitewashing took place. With this, Oh provides a reimagination of Asian American representational and real worlds (our own cinematic future). Author InformationDAVID C. OH is an associate professor of communication arts at Ramapo College of New Jersey in Mahwah. Tab Content 6Author Website:Countries AvailableAll regions |
||||
