Overview

""Wagnerism: A Protest"" by Henry William Lovett Hime, originally published in 1882, offers a fascinating glimpse into the early debates surrounding the music and cultural phenomenon of Richard Wagner. This critical work captures the dissenting voices of the time, providing valuable insight into the controversies and fervent discussions sparked by Wagner's operas and aesthetic theories. Himeâ€(TM)s protest serves as a historical document, reflecting the intellectual and artistic climate of the late 19th century and the profound impact Wagner had on European thought. For scholars of music history, literary criticism, and cultural studies, ""Wagnerism"" provides a rich resource for understanding the complex legacy of one of music's most influential figures. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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9781023685313

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