Voice & Vision: A Creative Approach to Narrative Filmmaking

Author:   Mick Hurbis-Cherrier (Hunter College, City University of New York, USA) ,  Gustavo Mercado
Publisher:   Taylor & Francis Ltd
Edition:   4th edition
ISBN:  

9780367758677


Pages:   672
Publication Date:   18 November 2024
Format:   Paperback
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

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Voice & Vision: A Creative Approach to Narrative Filmmaking


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Author:   Mick Hurbis-Cherrier (Hunter College, City University of New York, USA) ,  Gustavo Mercado
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   4th edition
ISBN:  

9780367758677


ISBN 10:   0367758679
Pages:   672
Publication Date:   18 November 2024
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Forthcoming
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

Table of Contents

DEDICATION; COMPANION WEBSITE CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; WHAT’S NEW IN THE FOURTH EDITION; PART I DEVELOPING YOUR FILM ON PAPER; CHAPTER 1: FROM IDEA TO CINEMATIC STORY; CHAPTER 2: THE SCREENPLAY; CHAPTER 3: THE VISUAL LANGUAGE AND AESTHETICS OF CINEMA; CHAPTER 4: ORGANIZING CINEMATIC TIME AND SPACE; CHAPTER 5: FROM SCREENPLAY TO VISUAL PLAN; PART II PREPARING FOR PRODUCTION; CHAPTER 6: PREPARING FOR PRODUCTION; CHAPTER 7: THE CAST AND CREW; PART III TOOLS AND TECHNIQUES: PRODUCTION; CHAPTER 8: THE DIGITAL VIDEO SYSTEM; CHAPTER 9: THE DIGITAL VIDEO CAMERA; CHAPTER 10: THE CAMERA LENS; CHAPTER 11: CAMERA SUPPORT; CHAPTER 12: BASICS OF EXPOSURE; CHAPTER 13: BASICS OF LIGHT AND LIGHTING; CHAPTER 14: LIGHTING AND EXPOSURE: BEYOND THE BASICS; CHAPTER 15: SOUND FOR PRODUCTION; CHAPTER 16: LOCATION SOUND TECHNIQUES; CHAPTER 17: ON-SET PROCEDURES; CHAPTER 18: SET ETIQUETTE AND PRODUCTION SAFETY; Part IV Tools and Techniques: Postproduction; CHAPTER 19: POSTPRODUCTION OVERVIEW: WORKFLOW AND THE EDITING STAGES; CHAPTER 20: THE ART AND TECHNIQUE OF EDITING; CHAPTER 21: THE SOUND DESIGN IN FILM; CHAPTER 22: GRADING, MASTERING, AND DISTRIBUTION; BIBLIOGRAPHY; FILMOGRAPHY; PHOTO AND ILLUSTRATION CREDITS; INDEX

Reviews

"Reviews for Previous Editions ""Voice & Vision is the only text I have seen that gives in-depth coverage of both the creative development process and the technical aspects of filmmaking. Mick Hurbis-Cherrier’s approach gives the reader the inspiration to develop compelling stories and the tools to bring them to the screen. It’s an essential resource for media makers at all levels."" —Eric Scholl, Interim Chair, Cinema and Television Arts, Columbia College Chicago ""Making a movie is always a journey into uncharted territory. Hopefully we have a clear sense of the destination, but we also know that the road is likely to be fraught with hazards, detours, setbacks, and surprises. Fortunately, Mick Hurbis-Cherrier has provided us with a map. Voice & Vision is a thoughtful and stimulating, step-by-step guide through the entire filmmaking process from concept to distribution. The author offers an invaluable commentary on the art, craft, and technology that inform every stage of the creative journey. This is an essential and inspiring guide for the intrepid filmmaker. Don't leave home without it."" —Paul Thompson, Associate Professor, Tisch School of the Arts, New York University; Formerly Head of Film and Television, AFTRS, Sydney, Australia ""The general approach of the book – which offers a combination of technical and creative aspects, as well as professional production practices – makes it an invaluable, encyclopedic 'bible' for film and video production students."" —Tomasz Malinowski, Professor, Edge Hill University, Ormskirk, England ""In this comprehensive and masterful volume, Hurbis-Cherrier's conversational tone allows each subject to be viewed in relationship to the others, creating a multi-disciplinary perspective that is thorough and thoughtful."" —Pablo Frasconi, Senior Lecturer, Production, USC School of Cinematic Arts ""The tone of the book works very well with my teaching style and pedagogy because it treats the student as part of a team that is working toward acquiring the knowledge and skills to make a movie. In that sense, I find the book to be not only informative but also very motivational."" —Ece Karayalcin, Professor, SEDT, Miami Dade College ""Hurbis-Cherrier (a professional who teaches at Hunter College) provides a comprehensive, well-organized resource for those interested in exploring the art and technique of narrative film…Though intended primarily for the classroom, this book should find a place in personal libraries as well. It will help even professionals expand their knowledge of the ever-evolving narrative format. Summing up: Recommended."" —M. A. Bay, Southern Connecticut State University, CHOICE"


Author Information

Mick Hurbis-Cherrier has been teaching all levels of film production at Hunter College in New York City for well over a decade. He works professionally in both film and video and has performed a wide range of duties, including producing, writing, directing, cinematography, and editing. His films have been shown around the country and have garnered prizes at a number of festivals. He is also the co-author of Directing: Film Techniques and Aesthetics (2020), now in its sixth edition. Gustavo Mercado is an award-winning independent filmmaker with well over a decade of experience as a writer, director, and cinematographer of narrative films. The first edition of The Filmmaker’s Eye: Learning (and Breaking) the Rules of Cinematic Composition, was translated into French, Spanish, Chinese, Polish, Turkish, Portuguese, Japanese, and Korean, and is being used by film programs at colleges and universities worldwide. His second title in the Filmmaker's Eye film book series, The Language of the Lens: The Power of Lenses and The Expressive Cinematic Image was translated into Turkish, Spanish, Chinese, Japanese, Korean, and Ukranian. He teaches cinematography, editing, screenwriting, and film production at Hunter College’s Film & Media Studies Department in New York City.

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