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Author:   Robert T. Sataloff
Publisher:   Plural Publishing Inc
Imprint:   Plural Publishing Inc
Edition:   3rd Revised edition
ISBN:  

9781597568609

ISBN 10:   1597568600
Pages:   984
Publication Date:   31 August 2017
Audience:   Professional and scholarly ,  College/higher education ,  Professional & Vocational ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Foreword by Denyce Graves-Montgomery. Preface. Acknowledgments. About the Author. Contributors. Dedications. Chapter 1. Introduction, Robert Thayer Sataloff. Chapter 2. The Singing Teacher in the Age of Voice Science, Richard Miller. Chapter 3. Historical Overview of Voice Pedagogy, Richard Miller. Chapter 4. Choral Pedagogy and Vocal Health,Brenda J. Smith and Robert Thayer Sataloff. Chapter 5. Amateur and Professional Child Singers: Pedagogy and Related Issues, Valerie Trollinger and Robert Thayer Sataloff. Chapter 6. Why Study Music? Christin Coffee. Chapter 7. Medical Evaluation Prior to Voice Lessons: Another Controversy, Aaron J. Jaworek and Robert Thayer Sataloff. Chapter 8. The Physics of Sound, Robert Thayer Sataloff. Chapter 9. Music and the Brain, Thomas Swirsky-Sacchetti, Robert Rider, Michael E. Keesler, and Steven Mandel. Chapter 10. Clinical Anatomy and Physiology of the Voice, Robert Thayer Sataloff. Chapter 11. An Overview of Laryngeal Function for Voice Production, R. J. Baken. Chapter 12. Laryngeal Function During Phonation, Ronald C. Scherer. Chapter 13. Vocal Tract Resonance, Johan Sundberg. Chapter 14. Voice Care Professionals: A Guide to Voice Care Providers, Robert Thayer Sataloff, Yolanda D. Heman-Ackah, and Mary J. Hawkshaw. Chapter 15. Patient History, Robert Thayer Sataloff. Chapter 16. Special Considerations Relating to Members of the Acting Profession, Bonnie N. Raphael. Chapter 17. Physical Examination, Robert Thayer Sataloff. Chapter 18. The Clinical Voice Laboratory, Jonathan J. Romak, Reinhardt J. Heuer, Mary J. Hawkshaw, and Robert Thayer Sataloff. Chapter 19. Use of Instrumentation in the Singing Studio, Robert Thayer Sataloff. Chapter 20. High-Speed Digital Imaging, Matthias Echternach. Chapter 21. Evolution of Technology, Jonathan J. Romak and Robert Thayer Sataloff. Chapter 22. Common Medical Diagnoses and Treatments in Patients with Voice Disorders: An Introduction and Overview, Robert Thayer Sataloff, Mary J. Hawkshaw, and Johnathan B. Sataloff. Chapter 23. The Effects of Age on the Voice, Robert Thayer Sataloff, Karen M. Kost, and Sue Ellen Linville. Chapter 24. Pediatric Voice Disorders, Alexander Manteghi, Amy Rutt, Robert Thayer Sataloff, and Caren J. Sokolow. Chapter 25. Hearing Loss in Singers and Other Musicians, Robert Thayer Sataloff, Brian McGovern, Joseph Sataloff, and Morgan A. Selleck. Chapter 26. Eye Care and the Performing Arts, Marcel J. Sislowitz. Chapter 27. Endocrine Function, Timothy D. Anderson, Dawn D. Anderson, and Robert Thayer Sataloff. Chapter 28. The Vocal Effects of Thyroid Disorders and Their Treatment, Julia A. Pfaff, Hilary M. Caruso Sales, Aaron J. Jaworek, and Robert Thayer Sataloff. Chapter 29. The Effects of Hormonal Contraception on the Voice, Jennifer P. Rodney and Robert Thayer Sataloff. Chapter 30. Breast Cancer in Professional Voice Users, Dahlia M. Sataloff and Robert Thayer Sataloff. Chapter 31. Autoimmune, Robert Thayer Sataloff and Michael S. Benninger. Chapter 32. Psychological Aspects of Voice Disorders, Deborah Caputo Rosen, Reinhardt J. Heuer, David A. Sasso, and Robert Thayer Sataloff. Chapter 33. Allergy, John R. Cohn, Patricia A. Padams, Mary J. Hawkshaw, and Robert Thayer Sataloff. Chapter 34. Respiratory Dysfunction, Robert Thayer Sataloff, John R. Cohn, and Mary J. Hawkshaw. Chapter 35. Pollution and Its Effects on the Voice, Robert Thayer Sataloff. Chapter 36. Pyrotechnics in the Entertainment Industry: An Overview, Cynthia Del'Aria and David A. Opperman. Chapter 37. Artificial Fogs and Smokes, Monona Rossol. Chapter 38. Infectious and Inflammatory Disorders of the Larynx, Catherine F. Sinclair and Robert S. Lebovics. Chapter 39. Pharyngitis, Mona M. Abaza and Robert Thayer Sataloff. Chapter 40. Sleep and the Vocal Performer, Joanne E. Getsy, Robert Thayer Sataloff, and Julie A. Wang. Chapter 41. Nutrition and the Professional Voice, Jennifer A. Nasser and Nyree Dardarian. Chapter 42. Reflux and Other Gastrological Conditions That May Affect the Voice, Robert Thayer Sataloff, Donald O. Castell, Philip O. Katz, Dahlia M. Sataloff, and Mary J. Hawkshaw. Chapter 43. Seating Problems and Vocalists, Richard N. Norris. Chapter 44. Bodily Injuries and Their Effects on the Voice, Robert Thayer Sataloff. Chapter 45. Performing Arts Medicine and the Professional Voice User: Risks of Non-Voice Performance, William J. Dawson, Robert Thayer Sataloff, and Valerie Trollinger. Chapter 46. Respiratory Behaviors and Vocal Tract Issues in Wind Instrumentalists, Valerie Trollinger and Robert Thayer Sataloff. Chapter 47. Neurologic Disorders Affecting the Voice in Performance, Linda Dahl, Jessica W. Lim, Steven Mandel, Reena Gupta, and Robert Thayer Sataloff. Chapter 48. Medications and the Voice, Robert Thayer Sataloff, Mary J. Hawkshaw, Joseph Anticaglia, Michelle White, Kirsten Meenan, and Jonathan J. Romak. Chapter 49. Psychiatric Manifestations of Medications Prescribed Commonly in Otolaryngology, Steven H. Levy, Mona M. Abaza, Mary J. Hawkshaw, Robert Thayer Sataloff, and Reinhardt J. Heuer. Chapter 50. Medications for Traveling Voice Performers, Robert Thayer Sataloff and Mary J. Hawkshaw. Chapter 51. Introduction to Treating Voice Abuse, Robert Thayer Sataloff. Chapter 52. Speech-Language Pathology and the Professional Voice User: An Overview, Carol N. Wilder. Chapter 53. Voice Therapy, Bridget Rose, Michelle R. Horman, and Robert Thayer Sataloff. Chapter 54. Voice Rest, Adam D. Rubin, Robert Thayer Sataloff, Susan E. Cline, and Karen M. Lyons. Chapter 55. Increasing Vocal Effectiveness, Bonnie N. Raphael and Robert Thayer Sataloff. Chapter 56. The Singing Voice Specialist, Margaret M. Baroody, Robert Thayer Sataloff, and Linda M. Carroll. Chapter 57. The Role of the Acting-Voice Trainer in Medical Care of Professional Voice Users, Sharon L. Freed, Bonnie N. Raphael, and Robert Thayer Sataloff. Chapter 58. Exercise Physiology: Perspective for Vocal Training, Mary J. Sandage and Matthew Hoch. Chapter 59. The Effects of Posture on Voice, John S. Rubin, Ed Blake, Leslie Mathieson, and Hala Kanona. Appendix I. Appendix II. Appendix III. Appendix IV. Appendix V. Glossary. Index.

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Author Information

Robert T. Sataloff, MD, DMA, FACS, is professor and chairman in the Department of Otolaryngology-Head and Neck Surgery and senior associate dean for Clinical Academic Specialties at Drexel University College of Medicine. He is also adjunct professor in the Department of Otolaryngology-Head and Neck Surgery at Thomas Jefferson University, the University of Pennsylvania, and Temple University; as well as on the faculty of the Academy of Vocal Arts. Dr. Sataloff is a professional singer and singing teacher and served as conductor of the Thomas Jefferson University Choir for nearly four decades. He holds an undergraduate degree in Music Theory and Composition from Haverford College, medical degree from Jefferson Medical College--Thomas Jefferson University, and doctor of musical arts in voice performance from Combs College of Music. He completed his residency in otolaryngology-head and neck surgery and fellowship in otology, neurotology and skull base surgery at the University of Michigan. Dr. Sataloff is chairman of the boards of directors of the Voice Foundation and the American Institute for Voice and Ear Research. He is editor-in-chief of the Journal of Voice and Ear, Nose and Throat Journal, associate editor of the Journal of Singing, and on the editorial boards of numerous otolaryngology journals. He has written more than 700 publications, including 40 books. His medical practice is limited to care of the professional voice and otology/neurotology/skull base surgery.

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