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OverviewThe Virgin of Guadalupe is famously migratory, traversing continents and crossing and recrossing oceans. Guadalupe's earliest cult originated in medieval Iberia, where Our Lady of Guadalupe from Extremadura, Spain, played a significant role in the reconquista and garnered royal backing. The Spanish Guadalupe accompanied the conquistadors as part of the spiritual arsenal used to Christianize the Americas, where new images of the Virgin acted as catalysts to implant her devotion within multiethnic constituencies. This masterful study by Jeanette Favrot Peterson traces the transmission of Guadalupe as la Virgen de ida y vuelta from Spain to the Americas and back again, analyzing how the Spanish and Mexican titular images, and a selection of the copies they inspired, operated within the overlapping spheres of religion and politics. Peterson explores two central paradoxes: that only through a material object can a divine and invisible presence be authenticated and that Guadalupe's images were made to work for enacting revolutionary change while preserving the colonial status quo. She examines the artists who created images of Guadalupe, their patrons, and the diverse viewing audiences for whom those images were intended. This exegesis reveals that visual evidence functioned on a par with written texts (treatises, chronicles, and sermons of ecclesiastical officialdom) in measuring popular beliefs and political strategies. Full Product DetailsAuthor: Jeanette Favrot PetersonPublisher: University of Texas Press Imprint: University of Texas Press Dimensions: Width: 21.60cm , Height: 3.30cm , Length: 27.90cm Weight: 1.842kg ISBN: 9780292737754ISBN 10: 0292737750 Pages: 348 Publication Date: 15 January 2014 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsPreface and Acknowledgments Introduction: The Subjectivity of Seeing Chapter 1: The Sacrality of Blackness Chapter 2: “Because She Was of Their Color” Chapter 3: Her Presence in Her Absence Chapter 4: Making Guadalupe Chapter 5: A “Book of Miracles” Chapter 6: Sacred Cloth and Veiled Body Chapter 7: Aura and Authorship Chapter 8: The Civil/Savage Paradox Chapter 9: The Viceroys and the Virgin Chapter 10: Collecting Guadalupe Notes Bibliography IndexReviews"""Examines the imagery of the Virgin of Guadalupe from the Marian cult's origin in Spain to its transmission to the Americas and back again."" - Chronicle of Higher Education ""Incredibly thorough in both research and analysis, this book sets a standard for scholars of Spanish and Mexican art, religion, and culture."" - Library Journal" Examines the imagery of the Virgin of Guadalupe from the Marian cult's origin in Spain to its transmission to the Americas and back again. - Chronicle of Higher Education Author InformationJeanette Favrot Peterson is Associate Professor in the Department of History of Art and Architecture at the University of California, Santa Barbara. She is the author of The Paradise Garden Murals of Malinalco: Utopia and Empire in Sixteenth-Century Mexico, which won the College Art Association’s Charles Rufus Morey Book Award, and coeditor of Seeing Across Cultures: Visuality in the Early Modern Period. Tab Content 6Author Website:Countries AvailableAll regions |
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