Visual Cultures of Foundling Care in Renaissance Italy

Author:   Diana Bullen Presciutti
Publisher:   Taylor & Francis Ltd
ISBN:  

9781138316171


Pages:   284
Publication Date:   20 June 2018
Format:   Paperback
Availability:   In Print   Availability explained
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Visual Cultures of Foundling Care in Renaissance Italy


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Full Product Details

Author:   Diana Bullen Presciutti
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.480kg
ISBN:  

9781138316171


ISBN 10:   1138316172
Pages:   284
Publication Date:   20 June 2018
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

[The book] is a sharply focused look at the figurative imagery deployed by hospitals caring for orphaned and abandoned children. ... A significant addition to our understanding of the multivalence of visual language in the Renaissance city, elucidated through focused analyses of images and deep probing of textual sources. --CAA Reviews Presciutti's study makes valuable contributions to our understanding of charity and charitable institutions in early modern Italy. ... Presciutti's analysis of the visual culture of institutions such as the Innocenti in Florence and Santo Spirito in Rome contributes most to a richer understanding of the rise of the visual cultures of charity in the early modern period. --Sixteenth Century Studies A rich and original study full of revealing insights. Presciutti shows how much more we can learn about the foundling homes of Florence, Rome, and Bologna when we compare them systematically. Working through many archives for documents and images, she is masterful in her interdisciplinary treatment of visual culture as a means of advertising and 'branding' foundling homes at a time when public acceptance of these new forms of institutional charity was far from certain. --Nicholas Terpstra, University of Toronto, Canada


A rich and original study full of revealing insights. Presciutti shows how much more we can learn about the foundling homes of Florence, Rome, and Bologna when we compare them systematically. Working through many archives for documents and images, she is masterful in her interdisciplinary treatment of visual culture as a means of advertising and 'branding' foundling homes at a time when public acceptance of these new forms of institutional charity was far from certain. --Nicholas Terpstra, University of Toronto, Canada Presciutti's study makes valuable contributions to our understanding of charity and charitable institutions in early modern Italy. ... Presciutti's analysis of the visual culture of institutions such as the Innocenti in Florence and Santo Spirito in Rome contributes most to a richer understanding of the rise of the visual cultures of charity in the early modern period. --Sixteenth Century Studies


[The book] is a sharply focused look at the figurative imagery deployed by hospitals caring for orphaned and abandoned children. ... A significant addition to our understanding of the multivalence of visual language in the Renaissance city, elucidated through focused analyses of images and deep probing of textual sources. --CAA Reviews Presciutti's study makes valuable contributions to our understanding of charity and charitable institutions in early modern Italy. ... Presciutti's analysis of the visual culture of institutions such as the Innocenti in Florence and Santo Spirito in Rome contributes most to a richer understanding of the rise of the visual cultures of charity in the early modern period. --Sixteenth Century Studies A rich and original study full of revealing insights. Presciutti shows how much more we can learn about the foundling homes of Florence, Rome, and Bologna when we compare them systematically. Working through many archives for documents and images, she is masterful in her interdisciplinary treatment of visual culture as a means of advertising and 'branding' foundling homes at a time when public acceptance of these new forms of institutional charity was far from certain. --Nicholas Terpstra, University of Toronto, Canada


Author Information

Diana Bullen Presciutti is Lecturer of Art History at the University of Essex, UK.

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