Vision and Audience in Medieval Drama: A Study of The Castle of Perseverance

Author:   Andrea Louise Young
Publisher:   Palgrave Macmillan
Edition:   1st ed. 2015
ISBN:  

9781137465597


Pages:   228
Publication Date:   29 September 2015
Format:   Hardback
Availability:   In Print   Availability explained
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Vision and Audience in Medieval Drama: A Study of The Castle of Perseverance


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Overview

The earliest complete morality play in English, The Castle of Perseverance depicts the culture of medieval East Anglia, a region once known for its production of artistic objects. Discussing the spectator experience of this famed play, Young argues that vision is the organizing principle that informs this play's staging, structure, and narrative.

Full Product Details

Author:   Andrea Louise Young
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Edition:   1st ed. 2015
Dimensions:   Width: 14.00cm , Height: 1.60cm , Length: 21.60cm
Weight:   4.139kg
ISBN:  

9781137465597


ISBN 10:   113746559
Pages:   228
Publication Date:   29 September 2015
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

"""While recovering the experiences of individual spectators from this period is virtually impossible, Young's book draws on a wide range of evidence - the play text itself, the manuscript's staging diagram, modern 'historical' performances and the reviews they attracted, modern critical theory, practical experimentation, medieval art, and texts on optics and the theology of vision - to construct the dynamic of spectatorship which the play exploits. This is an imaginative and sustained piece of analysis, underpinned by extensive reading."" - John J McGavin, Professor of English, University of Southampton, UK"


While recovering the experiences of individual spectators from this period is virtually impossible, Young's book draws on a wide range of evidence - the play text itself, the manuscript's staging diagram, modern 'historical' performances and the reviews they attracted, modern critical theory, practical experimentation, medieval art, and texts on optics and the theology of vision - to construct the dynamic of spectatorship which the play exploits. This is an imaginative and sustained piece of analysis, underpinned by extensive reading. - John J McGavin, Professor of English, University of Southampton, UK


Author Information

Andrea Young is Lecturer at the University of Liverpool Continuing Education program.

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