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OverviewVirgil's Cinematic Art concerns the rhetoric of visual manipulation that provokes us to envision what is written on the page, treating visual details in ancient epic not as mere scene-setting information or enhancements to any given story, but as cues for performing specific imaginative processes. Through a series of close readings centered primarily on Virgil's Aeneid, Kirk Freudenburg shows that the experiential effects that Virgil puts into play do serious narrative work of their own by structuring lines of sight, both visual and emotive, and shifting them about in ways that move readers (interpellated as viewers) into and out of the visual and emotional worlds of the story's characters. Studies of visualization in Latin poetry have tended to treat what is seen in epic as a matter of what is there to be seen, rather than an expression of how someone sees, treating images as mostly static. This study, by contrast, concerns the cinematics of ancient narrative: how words provoke an active, forward-moving process of experiential participation; poets not as verbal painters, but as projectors, purveyors of imagined happenings. Informed by cognitivist and constructivist studies of how audiences watch narrative films and make sense of what they are being given to see, Freudenburg locates new narrative content lurking in old places, brought to life within the imaginations of readers. The end result is a new approach to the question of how ancient epic tales convey narrative content through visual means. Full Product DetailsAuthor: Kirk Freudenburg (Brooks and Suzanne Ragen Professor of Classics, Brooks and Suzanne Ragen Professor of Classics, Yale University)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 24.20cm , Height: 1.90cm , Length: 16.20cm Weight: 0.440kg ISBN: 9780197643242ISBN 10: 0197643248 Pages: 200 Publication Date: 23 February 2023 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: To order  Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsIntroduction Seeing with Eyes Tightly Shut Two Worlds in Dialogue: Film Analysis and Classic Narratology Chapter One: Introducing Suture Tracking Turnus: Visual Pursuit Watching Paris: Hatred at First Sight Sightings, First and Last: the Insect Similes of the Aeneid Chapter Two: Precedents in Earlier Roman Poetry Getting High with Lucretius Vertical Relations The Grammar of Angles Taken The Other Side of High: Positioning Pathos Chapter Three: Seeing as Telling The Temple Ecphrasis of Aeneid 1 Aeneas the Neoteric Duces Feminae: Fade to Dido Image Pairs: the Catullan Background Caving in to Desire: Dido's Wedding Parade Chapter Four: Imagery as Understory Dido's Visual Feast Picturing Virgil's Words: Dido in the Middle Golden Dido On Keeping Dido Unfathomable Girl on Fire Chapter Five: Imagery as Counternarrative in the Death of Camilla Imagining Camilla Tracking Prey with Camilla Dressed to Kill: Clothing as Fire-starter, Again The Death of Camilla as a Life Fully Lived One Last Look: Visual Counternarrative, and the Humanness of Virgil's 'Heroes' Appendix of Classic Film Edits Works Cited IndexReviewsThis scintillating study offers new close readings of Vergil's Aeneid by paying close attention to acts of seeing in the epic. Freudenburg handles complex ideas in an attractive, accessible style, combining more traditional forms of literary analysis with insights gained from narratology, cognitive science, and cinema studies. He has written a strikingly original book that should help every student of the Aeneid to look harder and become a better reader * Damien Nelis, University of Geneva * Virgilian scholarship has two traditional foci: the power of images created by the text (ecphrasis) and the subjective, emotional style of the narrative. In this brilliant book, Kirk Freudenburg has found a way to embrace them both. Epic and cinema, he argues, must enter a deeper dialogue: long before film, epic is a lab for visual effects and viewer participation * Alessandro Barchiesi, New York University * Author InformationKirk Freudenburg is Brooks and Suzanne Ragen Professor of Classics at Yale University. His previous publications include Satires of Rome: Threatening Poses from Lucilius to Juvenal and, as editor, The Cambridge Companion to Roman Satire. Tab Content 6Author Website:Countries AvailableAll regions |
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