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Overview"When Armando Bó and Isabel Sarli began making sexploitation films together in 1956, they provoked audiences by featuring explicit nudity that would increasingly become more audacious, constantly challenging contemporary norms. Their Argentine films developed a large and international fan base. Analyzing the couple's films and their subsequent censorship, Violated Frames develops a new, roughly constructed, and ""bad"" archive of relocated materials to debate questions of performance, authorship, stardom, sexuality, and circulation. Victoria Ruétalo situates Bó and Sarli’s films amidst the popular culture and sexual norms in post–1955 Argentina, and explores these films through the lens of bodies engaged in labor and leisure in a context of growing censorship. Under Perón, manual labor produced an affect that fixed a specific type of body to the populist movement of Peronism: a type of body that was young, lower-classed, and highly gendered. The excesses of leisure in exhibition, enjoyment, and ecstasy in Bó and Sarli's films interrupted the already fragmented film narratives of the day and created alternative sexual possibilities. " Full Product DetailsAuthor: Victoria Ruétalo , Annie SprinklePublisher: University of California Press Imprint: University of California Press Volume: 2 Dimensions: Width: 15.20cm , Height: 2.00cm , Length: 22.90cm Weight: 0.363kg ISBN: 9780520380097ISBN 10: 0520380096 Pages: 264 Publication Date: 22 March 2022 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In stock  We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsCONTENTS List of Illustrations Note on Translation Foreword by Annie Sprinkle Acknowledgments Introduction The Signature of a “Bad Cinema” Part I: Bodies and Archives 1. Bodies through Time . . . Time through Bodies 2. Reading Bad Cinema through “Bad Archives” Part II: Censoring Bodies in Labor and Leisure 3. Disciplining Bodies through Censors’ Shears 4. Collective Working-Class Male Bodies 5. Affective Intimate Interludes The Risky Female Body Conclusion “You won with the censors. . . . They couldn’t stop you!” Notes Selected Filmography IndexReviews"""Violated Frames: Armando Bó and Isabel Sarli's Sexploits is an essential read for anyone interested in learning more about this fascinating piece of World Cinema history and the fabulous icon that was Isabel Sarli."" * CinemaRetro *" Violated Frames: Armando Bo and Isabel Sarli's Sexploits is an essential read for anyone interested in learning more about this fascinating piece of World Cinema history and the fabulous icon that was Isabel Sarli. * CinemaRetro * Author InformationVictoria Ruétalo is Associate Professor in the Department of Modern Languages and Cultural Studies at the University of Alberta. She is coeditor of Latsploitation, Exploitation Cinemas, and Latin America. Tab Content 6Author Website:Countries AvailableAll regions |
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