Overview

On Sarah A. Chrisman's twenty-ninth birthday, her husband, Gabriel, presented her with a corset. The material and the design were breathtakingly beautiful, but her mind immediately filled with unwelcome views. Although she had been in love with the Victorian era all her life, she had specifically asked her husband not to buy her a corset-ever. She'd heard how corsets affected the female body and what they represented, and she wanted none of it. However, Chrisman agreed to try on the garment . . . and found it surprisingly enjoyable. The corset, she realized, was a tool of empowerment-not oppression. After a year of wearing a corset on a daily basis, her waist had gone from thirty-two inches to twenty-two inches, she was experiencing fewer migraines, and her posture improved. She had successfully transformed her body, her dress, and her lifestyle into that of a Victorian woman-and everyone was asking about it. In Victorian Secrets, Chrisman explains how a garment from the past led to a change in not only the way she viewed herself, but also the ways she understood the major differences between the cultures of twenty-first-century and nineteenth-century America. The desire to delve further into the Victorian lifestyle provided Chrisman with new insight into issues of body image and how women, past and present, have seen and continue to see themselves.

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9781626361751

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Reviews

Reading this book reminded me of just how much what we wear shapes us--both figuratively and literally. . . . Chrisman's experience pushed me to be not only confident in what I choose to wear, but knowledgeable as to why and how I am choosing to wear it.

In a personal account of the social and historical evolution of the corset, Sarah Chrisman provides a distinct and revisionist analysis of Victorian attire. This book encourages us to put aside our assumptions of the oppressive nature of fashion. Chrisman thoughtfully focuses on the ways women of many classes within society sought to create impressions, still critical in today's political economy. --Christine Ingebritsen, professor, the University of Washington

Author Information

Sarah A. Chrisman was born in a suburb of Seattle and graduated from the University of Washington in 2002. Alongside her husband, Gabriel, she gives presentations on nineteenth-century clothing, dress, and culture. Chrisman is also the editor of the upcoming True Ladies and Proper Gentlemen. She resides in Port Townsend, Washington. Sue Lean is a professional exhibit project director with a special interest in the remarkable history of women's suffrage. She organizes events to celebrate state and national centennial anniversaries and has organized interpretive exhibits for the Temple of Justice and the Washington Women's History Consortium. She resides in Olympia, Washington.

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