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OverviewBonnets, capes, caps, shawls, bodices, and crinolines as people actually wore them from 1840 to 1914. More than 200 photos depict aristocrats and members of the middle class as well as celebrities. Since the invention of photography there has not been a history of fashion completely illustrated by photographs - until this one. Photography historian Alison Gernsheim first studied Victorian and Edwardian fashion in order to be able to date photographs in her collection. Of course the photos soon proved to be the best of all fashion plates - authentic, detailed, as decorative and charming as top fashion illustration. When united with identifications and descriptions of the chief costume articles, and a commentary that includes childhood memories of the period, the resulting history is doubly indispensable - equally useful and delightful to serious and casual readers.The invention of photography preceded that of the crinoline by about a decade. Pre-crinoline bonnets, stovepipe hats, and deep decolletage are featured in the first of these 235 illustrations - including a beautiful 1840 daguerreotype portrait of a lady that is the earliest study of its kind extant. From 1855 to the 1870s the crinoline gave shape (whether barrel, bell, teapot, or otherwise) to English women, and their shapes fill many of these full and half-page photos. English men went beardless in top hats and frock coats; as in other eras, the sporting wear of the previous generation became acceptable morning and evening town attire. Styles and accoutrements came and went - moustaches, straw hats, bustles and bodice line, petticoats, corsets, shawls and falsies, flounces, ruffles, lace, and materials - satin, silk, velvet, woolen underwear, full-length sable, and osprey feathers. Many of the models for these fashions were already fashionable enough - Oscar Wilde, Aubrey Beardsley, Lillie Langtry, Winston Churchill, many archdukes, duchesses, counts, princes, and Queen Victoria herself. Photographers are identified where possible, and include Nadar, Lewis Carroll, and the Downeys. Every photograph is captioned and annotated. Full Product DetailsAuthor: Alison GernsheimPublisher: Dover Publications Inc. Imprint: Dover Publications Inc. Dimensions: Width: 15.80cm , Height: 1.50cm , Length: 23.40cm Weight: 0.365kg ISBN: 9780486242057ISBN 10: 0486242056 Pages: 240 Publication Date: 01 February 2000 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsAuthor InformationA former commercial photographer, Helmut Gernsheim (1913-95) ranks among the most influential and prolific historians of photography. He virtually created the academic study of photography in the 1940s, carrying out extensive research and amassing a priceless collection of historical prints. His books remain authoritative resources on the development of photography. Tab Content 6Author Website:Countries AvailableAll regions |