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Overview"Vesna Pavlović: Stagecraft features four extensive bodies of the photographer's work, spanning from the early 2000s to today-photographs of the Yugoslav socialist modernist hotel spaces from her internationally recognized series ""Hotels""; photographs of the ceremonial space of the Yugoslav Presidential Palace in Belgrade from the series ""Collection/Kolekcija"" and the recent ""Fabrics of Socialism"" and ""Sites of Memory"" series exploring the archives of the Museum of Yugoslav History. The book includes critical essays that contextualize and expound on Pavlović's unique treatment of the photographic medium, in which a photographic moment is expanded to include the conditions of image making, production, documentation, and representation." Full Product DetailsAuthor: Vesna Pavlovic , Jelena Vesic , Branislav Dimitrijevic , Jordan AmirkhaniPublisher: Vanderbilt University Press Imprint: Vanderbilt University Press Dimensions: Width: 30.40cm , Height: 1.70cm , Length: 26.10cm Weight: 1.500kg ISBN: 9780826501837ISBN 10: 0826501834 Pages: 256 Publication Date: 30 March 2021 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents"Introduction Jelena Vesić and Vesna Pavlović ""Vesna Pavlović: The Photographic Staging of the Non-performative"" Branislav Dimitrijević ""Stage-Crafting: Everything Here Is Both Lost and Gained in Translation"" Jelena Vesić ""Materializing Time: Unsettling Borders and Media in Vesna Pavlović's Oeuvre"" Jordan Amirkhani ""Ghosts in the Present Tense: The Photography of Vesna Pavlović"" John J. Curley Index of Images Images Artist Biography Acknowledgment Contributors"ReviewsA significant contribution to scholarship on contemporary artistic practices from the region of Former Yugoslavia. Pavlovic warrants this kind of in-depth engagement. - UroS Cvoro, author of Transitional Aesthetics: Contemporary Art at the Edge of Europe Pavlovic probes the ability of the photographic medium to engage with the great abstractions of modern life, such as ideology, memory, geopolitics, and historical change. The abandoned project of socialist Yugoslavia is at the same time the material object of her photos, their omnipresent reference point, and the ghost that haunts them. - Vladimir Kulic, editor of Second World Postmodernisms: Architecture and Society under Late Socialism Author InformationVesna Pavlović is an associate professor of art, Smithsonian Artist Research Fellow (2020), Fulbright Scholar (2018-19), and Chancellor Fellow (2018-20) at Vanderbilt University. Her work has been exhibited widely and is included in major private and public art collections, including the Phillips Collection, the Hirshhorn Museum and Sculpture Garden, the Museum of Women in the Arts, and the Art in Embassies Program in Washington, DC; the Princeton University Art Gallery in Princeton, New Jersey; the Center for Creative Photography at the University of Arizona in Tucson, Arizona; and the Museum of Contemporary Art in Belgrade, Serbia, among others. Her work has previously been published in Vesna Pavlović's Lost Art: Photography, Display, and the Archive. Tab Content 6Author Website:Countries AvailableAll regions |
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