Vampire Films Around the World: Essays on the Cinematic Undead of Sixteen Cultures

Author:   James Aubrey
Publisher:   McFarland & Co Inc
ISBN:  

9781476676739


Pages:   330
Publication Date:   23 October 2020
Recommended Age:   From 18 years
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Our Price $64.90 Quantity:  
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Vampire Films Around the World: Essays on the Cinematic Undead of Sixteen Cultures


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Overview

Vampires are arguably the most popular and most paradoxical of gothic monsters: life draining yet passionate, feared yet fascinating, dead yet immortal. Vampire content produces exquisitely suspenseful stories that, combined with motion picture filmmaking, reveal much about the cultures that enable vampire film production and the audiences they attract. This collection of essays is generously illustrated and ranges across sixteen cultures on five continents, including the films Let the Right One In, What We Do in the Shadows, Cronos, and We Are the Night, among many others. Distinctly different kinds of European vampires have originated in Ireland, Germany, Sweden, and Serbia. North American vampires are represented by films from Mexico, Canada, and the USA. Middle Eastern locations include Tangier, Morocco, and a fictional city in Iran. South Asia has produced Bollywood vampire films, and east Asian vampires are represented by films from Korea, China, and Japan. Some of the most recent vampire movies have come from Australia and New Zealand. These essays also look at vampire films through lenses of gender, post-colonialism, camp, and otherness as well as the evolution of the vampiric character in cinema worldwide, together constituting a mosaic of the cinematic undead.

Full Product Details

Author:   James Aubrey
Publisher:   McFarland & Co Inc
Imprint:   McFarland & Co Inc
Dimensions:   Width: 15.20cm , Height: 1.70cm , Length: 22.90cm
Weight:   0.435kg
ISBN:  

9781476676739


ISBN 10:   1476676739
Pages:   330
Publication Date:   23 October 2020
Recommended Age:   From 18 years
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Table of Contents Introduction (James Aubrey) Australia Children of the Night in a Sunburnt Country: Aristocrats and Outback Vampires (Graeme A. ­Wend-Walker) Canada A Monstrous Showing: Movement and Deformed Discourse in Guy Maddin’s Vampire Ballet Film Dracula: Pages from a Virgin’s Diary (Lorna Hutchison) China The Hong Kong Vampire Returns: Nostalgia, Pastiche and Politics in Rigor Mortis (Fontaine Lien) Germany Nosferatu’s Daughters: Radical Feminism, ­Lesbo-Vampirism and Fluid Identities in Dennis Gansel’s Wir sind die Nacht (We Are the Night) (Kai-Uwe Werbeck) India Chutney Vampires: Contextualizing Bollywood’s Undead Cinema (Anurag Chauhan) Iran Reclaiming the Marginalized Female Body in Ana Lily Amirpour’s A Girl Walks Home Alone at Night (U. Melissa Anyiwo) Ireland and Creating an Irish Neomyth: Byzantium’s Feminist Vampires (James Aubrey) Italy Dario Argento’s Dracula 3D: History, Genre and the Politics of Camp (Vincent Piturro) Japan The Intertextuality of Moon Child: How Japanese Popular Culture Molds and Interprets Gender and the Vampire (Jade Lum) Korea Blood, Dust and the Black Universe: From Asia Extreme to the Vampire ­World-Image in Thirst, The Wailing and the New Korean Vampire Horror Cinema (David John Boyd) Mexico The Craft of Delicacy in Cronos: Rethinking Vampire Films in Latin America (Roberto ­Forns-Broggi) Morocco and Only Lovers Left Alive: Expat Vampires and ­Post-Imperial Cosmopolitanism (Wendolyn Weber) New Zealand “Don’t … don’t believe the hype!” Vampiric Evolution and What We Do in the Shadows (Charles Hoge) Serbia Vampire Privilege: Class, Gender and Sex in Serbian Metaphysical Horror (Tatjana Aleksić) Sweden Unqueering Child Vampire Love in Let the Right One (James Aubrey) Museological Horror in Ganja and Hess and Da Sweet Blood of Jesus (Cheryl D. Edelson) “It’s more like a disease”: Compensatory Masculinities and Intersectional “Otherness” in The Transfiguration (Cain Miller) Filmography Bibliography About the Contributors Index

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Author Information

James Aubrey is a professor of English at Metropolitan State University of Denver, where he teaches British and world literatures as well as film studies. He has published numerous articles on literature and three previous books.

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