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Douglas Pye has performed a great service by putting together this indispensable collection of V. F. Perkins's writings and introducing it so eloquently. The tyrannical reign of theoretical systematizing, which for decades led academic film studies to subordinate criticism to what the field called 'theory, ' has ended. But to move forward, the field must now visit its origins and history. Victor Perkins, perhaps the most brilliant, the most rigorous and perceptive writer of film criticism we have ever had, trusted the films he loved to teach him how to think about them, without letting some theory or other blind him to his own experience. He took the best popular movies to be exemplary of the art of film and stuck to his guns when academic film studies embraced a theoretical orthodoxy and it became dogma that the kind of movies Perkins wrote about were pernicious ideological constructs, not works of art to be valued. And he kept faith with his conviction that the study of film cannot be a worthwhile human enterprise if it isolates itself from the kind of criticism that seeks to articulate a work's idea-not a thought lying behind the work, but a thought the work expresses, in its own way, in its own medium-the kind of criticism Perkins never stopped writing-the kind of criticism whose value it is now more than ever incumbent upon the field to acknowledge.-- (06/25/2020) Since film studies became an academic field, no one has attended to movies with more care and insight than Victor Perkins, and no one has so inspiringly and effectively taught several generations of students and readers to attempt the same. The full range of his achievement is on view in V.F. Perkins on Movies, from his theoretical work to his critical studies. Anyone with any sort of interest in film owes a great debt of gratitude to Douglas Pye for making these powerful essays accessible.-- (06/25/2020) The idea of gathering all of Perkins's shorter pieces into one volume is excellent. In my judgment, he is one of the absolutely indispensable critics of film. He was a legendary teacher, and all his criticism has the capacity to educate even sophisticated filmgoers in how to think more cogently about movie art as moral and emotional experience, and how to read films with greater precision and discrimination. Douglas Pye has provided a valuable overview of the phases of Perkins's career and offers a first-rate assessment of his major preoccupations and strengths.-- (06/25/2020) Victor Perkins carved a unique path as a film critic. He was neither a reviewer nor a reporter; neither a polemical iconoclast nor a follower of academic fashion. His aim was clear, true, and steadfastly maintained: to understand the art of film, and the work of its finest artists, better.-- (06/25/2020)

Although [Perkins is] now gone, he's left us a fine legacy in his writings. And this collection is a fitting monument to his memory.-- (01/01/2021) Douglas Pye has performed a great service by putting together this indispensable collection of V. F. Perkins's writings and introducing it so eloquently. The tyrannical reign of theoretical systematizing, which for decades led academic film studies to subordinate criticism to what the field called 'theory, ' has ended. But to move forward, the field must now visit its origins and history. Victor Perkins, perhaps the most brilliant, the most rigorous and perceptive writer of film criticism we have ever had, trusted the films he loved to teach him how to think about them, without letting some theory or other blind him to his own experience. He took the best popular movies to be exemplary of the art of film and stuck to his guns when academic film studies embraced a theoretical orthodoxy and it became dogma that the kind of movies Perkins wrote about were pernicious ideological constructs, not works of art to be valued. And he kept faith with his conviction that the study of film cannot be a worthwhile human enterprise if it isolates itself from the kind of criticism that seeks to articulate a work's idea-not a thought lying behind the work, but a thought the work expresses, in its own way, in its own medium-the kind of criticism Perkins never stopped writing-the kind of criticism whose value it is now more than ever incumbent upon the field to acknowledge.-- (06/25/2020) Since film studies became an academic field, no one has attended to movies with more care and insight than Victor Perkins, and no one has so inspiringly and effectively taught several generations of students and readers to attempt the same. The full range of his achievement is on view in V.F. Perkins on Movies, from his theoretical work to his critical studies. Anyone with any sort of interest in film owes a great debt of gratitude to Douglas Pye for making these powerful essays accessible.-- (06/25/2020) The idea of gathering all of Perkins's shorter pieces into one volume is excellent. In my judgment, he is one of the absolutely indispensable critics of film. He was a legendary teacher, and all his criticism has the capacity to educate even sophisticated filmgoers in how to think more cogently about movie art as moral and emotional experience, and how to read films with greater precision and discrimination. Douglas Pye has provided a valuable overview of the phases of Perkins's career and offers a first-rate assessment of his major preoccupations and strengths.-- (06/25/2020) Victor Perkins carved a unique path as a film critic. He was neither a reviewer nor a reporter; neither a polemical iconoclast nor a follower of academic fashion. His aim was clear, true, and steadfastly maintained: to understand the art of film, and the work of its finest artists, better.-- (06/25/2020) V.F. Perkins (1936-2016) was a central figure in the evolution of film studies, and the assortment of essays gathered for V. F. Perkins on Movies certainly lives up to the book's promotion as a collection making it possible to see his writing as a coherent body of work, developed over a long career, and to appreciate its great historical and cultural significance. -- (12/30/2020)

It was this ability to blend steely certainty with an awareness of how tentative analysis must be that positioned Perkins as one of our finest thinkers on cinema, and makes the arrival of this anthology such a welcome event.--Brad Stevens Sight & Sound (04/01/2021) Excellent and essential.--Tom Draper LSE Review of Books (02/05/2021) Although [Perkins is] now gone, he's left us a fine legacy in his writings. And this collection is a fitting monument to his memory.-- (01/01/2021) Douglas Pye has performed a great service by putting together this indispensable collection of V. F. Perkins's writings and introducing it so eloquently. The tyrannical reign of theoretical systematizing, which for decades led academic film studies to subordinate criticism to what the field called 'theory, ' has ended. But to move forward, the field must now visit its origins and history. Victor Perkins, perhaps the most brilliant, the most rigorous and perceptive writer of film criticism we have ever had, trusted the films he loved to teach him how to think about them, without letting some theory or other blind him to his own experience. He took the best popular movies to be exemplary of the art of film and stuck to his guns when academic film studies embraced a theoretical orthodoxy and it became dogma that the kind of movies Perkins wrote about were pernicious ideological constructs, not works of art to be valued. And he kept faith with his conviction that the study of film cannot be a worthwhile human enterprise if it isolates itself from the kind of criticism that seeks to articulate a work's idea-not a thought lying behind the work, but a thought the work expresses, in its own way, in its own medium-the kind of criticism Perkins never stopped writing-the kind of criticism whose value it is now more than ever incumbent upon the field to acknowledge.-- (06/25/2020) Since film studies became an academic field, no one has attended to movies with more care and insight than Victor Perkins, and no one has so inspiringly and effectively taught several generations of students and readers to attempt the same. The full range of his achievement is on view in V.F. Perkins on Movies, from his theoretical work to his critical studies. Anyone with any sort of interest in film owes a great debt of gratitude to Douglas Pye for making these powerful essays accessible.-- (06/25/2020) The idea of gathering all of Perkins's shorter pieces into one volume is excellent. In my judgment, he is one of the absolutely indispensable critics of film. He was a legendary teacher, and all his criticism has the capacity to educate even sophisticated filmgoers in how to think more cogently about movie art as moral and emotional experience, and how to read films with greater precision and discrimination. Douglas Pye has provided a valuable overview of the phases of Perkins's career and offers a first-rate assessment of his major preoccupations and strengths.-- (06/25/2020) Victor Perkins carved a unique path as a film critic. He was neither a reviewer nor a reporter; neither a polemical iconoclast nor a follower of academic fashion. His aim was clear, true, and steadfastly maintained: to understand the art of film, and the work of its finest artists, better.-- (06/25/2020) V.F. Perkins (1936-2016) was a central figure in the evolution of film studies, and the assortment of essays gathered for V. F. Perkins on Movies certainly lives up to the book's promotion as a collection making it possible to see his writing as a coherent body of work, developed over a long career, and to appreciate its great historical and cultural significance. -- (12/30/2020)

"It's a sprawling, alternately fruitful and fitful complement to his more accessible 'Film as Film'.--Thomas Delta ""Cineaste"" (6/1/2022 12:00:00 AM) Although [Perkins is] now gone, he's left us a fine legacy in his writings. And this collection is a fitting monument to his memory.--Tom Ryan ""Screening the Past"" (1/1/2021 12:00:00 AM) Belongs in the library of anyone interested in film as an art.--Mitch Abidor ""Jewish Currents"" (5/4/2021 12:00:00 AM) Douglas Pye has performed a great service by putting together this indispensable collection of V. F. Perkins's writings and introducing it so eloquently. The tyrannical reign of theoretical systematizing, which for decades led academic film studies to subordinate criticism to what the field called 'theory, ' has ended. But to move forward, the field must now visit its origins and history. Victor Perkins, perhaps the most brilliant, the most rigorous and perceptive writer of film criticism we have ever had, trusted the films he loved to teach him how to think about them, without letting some theory or other blind him to his own experience. He took the best popular movies to be exemplary of the art of film and stuck to his guns when academic film studies embraced a theoretical orthodoxy and it became dogma that the kind of movies Perkins wrote about were pernicious ideological constructs, not works of art to be valued. And he kept faith with his conviction that the study of film cannot be a worthwhile human enterprise if it isolates itself from the kind of criticism that seeks to articulate a work's idea-not a thought lying behind the work, but a thought the work expresses, in its own way, in its own medium-the kind of criticism Perkins never stopped writing-the kind of criticism whose value it is now more than ever incumbent upon the field to acknowledge.--William Rothman ""professor of cinematic arts at the University of Miami"" (6/25/2020 12:00:00 AM) Excellent and essential.--Tom Draper ""LSE Review of Books"" (2/5/2021 12:00:00 AM) It was this ability to blend steely certainty with an awareness of how tentative analysis must be that positioned Perkins as one of our finest thinkers on cinema, and makes the arrival of this anthology such a welcome event.--Brad Stevens ""Sight & Sound"" (4/1/2021 12:00:00 AM) Since film studies became an academic field, no one has attended to movies with more care and insight than Victor Perkins, and no one has so inspiringly and effectively taught several generations of students and readers to attempt the same. The full range of his achievement is on view in V.F. Perkins on Movies, from his theoretical work to his critical studies. Anyone with any sort of interest in film owes a great debt of gratitude to Douglas Pye for making these powerful essays accessible.--Robert B. Pippin ""The University of Chicago"" (6/25/2020 12:00:00 AM) The idea of gathering all of Perkins's shorter pieces into one volume is excellent. In my judgment, he is one of the absolutely indispensable critics of film. He was a legendary teacher, and all his criticism has the capacity to educate even sophisticated filmgoers in how to think more cogently about movie art as moral and emotional experience, and how to read films with greater precision and discrimination. Douglas Pye has provided a valuable overview of the phases of Perkins's career and offers a first-rate assessment of his major preoccupations and strengths.--George Toles ""University of Manitoba"" (6/25/2020 12:00:00 AM) Victor Perkins carved a unique path as a film critic. He was neither a reviewer nor a reporter; neither a polemical iconoclast nor a follower of academic fashion. His aim was clear, true, and steadfastly maintained: to understand the art of film, and the work of its finest artists, better.--Adrian Martin ""film critic"" (6/25/2020 12:00:00 AM) This book will be of interest both to film scholars seeking an introduction to his work and to those who know of Perkins through his Film as Film: Understanding and Judging Movies. --RYAN SHAND ""Historical Journal of Film, Radio and Television"" (7/15/2021 12:00:00 AM) V.F. Perkins (1936-2016) was a central figure in the evolution of film studies, and the assortment of essays gathered for V. F. Perkins on Movies certainly lives up to the book's promotion as a collection making it possible to see his writing as a coherent body of work, developed over a long career, and to appreciate its great historical and cultural significance.--Jeremy Carr ""Film International"" (12/30/2020 12:00:00 AM)"

Author Information

Douglas Pye is senior visiting research fellow in the Department of Film, Theatre & Television at the University of Reading. His publications include The Long Take: Critical Approaches and Style and Meaning: Studies in the Detailed Analysis of Film (both co-edited with John Gibbs), 100 Film Musicals (with Jim Hillier), and Movies and Tone. He co-edits the series Palgrave Close Readings in Film and Television and is a member of the editorial board of Movie: A Journal of Film Criticism.

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