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OverviewFull Product DetailsAuthor: Josef Früchtl , Sarah L. KirkbyPublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.353kg ISBN: 9780367667511ISBN 10: 0367667517 Pages: 192 Publication Date: 30 September 2020 Audience: College/higher education , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents1. Gilles Deleuze and Belief in the World 2. A Struggle against Oneself: Cinema as Technology of the Self 3. The Evidence of Film and the Presence of the World: Jean-Luc Nancy’s Cineastic Ontology 4. Cinema as Human Art: Rescuing Aura in Gesture 5. Exhibiting or Presenting? Politics, Aesthetics and Mysticism in Benjamin’s and Deleuze’s Concepts of Cinema 6. Made and Yet True: On the Aesthetics of Presence of the Heroic 7. An Art of Gesture: Returning Narrative and Movement to Images 8. It Is if we Could Trust: Fiction and Aesthetics of the Political 9. All You Need is Love: Cavell and the Comedy of Remarriage of Film and PhilosophyReviewsJosef Fruchtl's book is a thoughtful addition to the ever-growing field of film and philosophy . . . This is a serious, ambitious, complex, and intriguing exploration of how the cinema offers to so many viewers an answer to skepticism. - Notre Dame Philosophical Reviews A fascinating and philosophically provocative exploration of cinema's power to 'restore belief in the world', focusing not only on Deleuze's account of modern cinema but drawing on Nancy and Cavell as well. - Robert Sinnerbrink, Macquarie University, Australia """Josef Früchtl's book is a thoughtful addition to the ever-growing field of film and philosophy . . . This is a serious, ambitious, complex, and intriguing exploration of how the cinema offers to so many viewers an answer to skepticism."" – Notre Dame Philosophical Reviews ""A fascinating and philosophically provocative exploration of cinema’s power to ‘restore belief in the world’, focusing not only on Deleuze’s account of modern cinema but drawing on Nancy and Cavell as well."" – Robert Sinnerbrink, Macquarie University, Australia" Author InformationJosef Früchtl is Professor of Philosophy of Art and Culture at the University of Amsterdam, The Netherlands. His major research interests are aesthetics, especially the relationship between aesthetics and ethics, theories of modernity, critical theory, and the philosophy of film. He is the author of The Impertinent Self: A Heroic History of Modernity (2009). Tab Content 6Author Website:Countries AvailableAll regions |
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