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Full Product Details

Author:   Dal Yong Jin
Publisher:   Rutgers University Press
Imprint:   Rutgers University Press
Dimensions:   Width: 15.20cm , Height: 1.80cm , Length: 22.90cm
Weight:   0.003kg
ISBN:  

9781978807884

ISBN 10:   1978807880
Pages:   206
Publication Date:   13 December 2019
Recommended Age:   From 18 to 99 years
Audience:   College/higher education ,  College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Cover PageTitle PageCopyright PageContentsPrefaceChapter 1. The Emergence of Contemporary Korean CinemaChapter 2. State Film Policy and the Politicization of CensorshipChapter 3. Screen Quotas in the Era of the U.S.-Korea FTAChapter 4. Conglomeration, Screen Oligopoly, and Cultural DiversityChapter 5. Public Film Funding and Transnational ProductionChapter 6. Coproduction and Transnationalization of Korean CinemaChapter 7. Transnationalization of Film GenresChapter 8. Transmedia Storytelling of Webtoons in Films in the Digital EraChapter 9. Conclusion: Korean Cinema's Future in Digital TechnologiesNotesReferencesIndexAbout the Author

Reviews

The most comprehensive book available on South Korean Cinema, covering the complexities of the Korean film industry from 1919 onwards, both as an art form and as a business. It is destined to become required reading for anyone interested in Korean cinema especially in relation to the link between politics, economics and cultural expression. --Colette Balmain author of Introduction to Japanese Horror Film An ambitious, well-researched book that details how the complex interplay between cultural policy, socioeconomic development, competition with Hollywood and technological change led to the remarkable growth and increasing global reach of Korean cinema. --Darcy Paquet author of New Korean Cinema: Breaking the Waves

The most comprehensive book available on South Korean Cinema, covering the complexities of the Korean film industry from 1919 onwards, both as an art form and as a business. It is destined to become required reading for anyone interested in Korean cinema especially in relation to the link between politics, economics and cultural expression. --Colette Balmain author of Introduction to Japanese Horror Film

Author Information

DAL YONG JIN is a professor in the School of Communication at Simon Fraser University, Vancouver, Canada. Jin has published more than 15 books, including Korea’s Online Gaming Empire and Smartland Korea: mobile communication, culture and society.  

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