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OverviewThis core teaching text provides a thorough overview of the recently emerged field of transnational film studies. Covering a range of approaches to analysing films about migrant, cross-cultural and cross-border experience, Steven Rawle demonstrates how film production has moved beyond clear national boundaries to become a product of border crossing finance and creative personnel. This comprehensive introduction brings together the key concepts and theories of transnational cinema, including genre, remakes, diasporic and exilic cinema, and the limits of thinking about cinema as a particularly national cultural artefact. It is an excellent course companion for undergraduate students of film, cinema, media and cultural studies studying transnational and global cinema, and provides both students and lovers of film alike with a strong grounding in this timely field of film studies. Full Product DetailsAuthor: Steven RawlePublisher: Bloomsbury Publishing PLC Imprint: Bloomsbury Academic Edition: 1st ed. 2018 Weight: 0.390kg ISBN: 9781137530127ISBN 10: 113753012 Pages: 274 Publication Date: 09 February 2018 Audience: College/higher education , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of Contents1. World or Transnational Cinema? 2. The National Cinema Paradigm 3. Third and Post-Colonial Cinemas 4. Globalisation, Border-Crossing, Migration 5. Exilic and Diasproic Cinema 6. Transnational Film Production 7. Remaking Transnational Culture 8. Globalised Genres.ReviewsThis very well-researched book provides a list of recommended viewing and study materials, which will be quite useful for someone trying to acquaint themselves with transnational cinema for the first time. (Sanghita Sen, Frames Cinema Journal, December 16, 2019) Author InformationSteven Rawle is Associate Professor in Media Production and Film Studies at York St John University, UK. He is the author of Performance in in the Cinema of Hal Hartley (2011), co-author of The Language of Film (2015), and co-editor of Partners in Suspense: Critical Essays on Bernard Herrmann and Alfred Hitchcock (2016). His publications have appeared in multiple edited collections on topics including Takashi Miike films and Godzilla movies, and journals including the East Asian Journal of Popular Culture and Film Criticism Tab Content 6Author Website:Countries AvailableAll regions |
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