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OverviewThis innovative volume extends existing conversations on translation and modernism with an eye toward bringing renewed attention to its ethically complex, appropriative nature and the subsequent ways in which modernist translators become co-creators of the materials they translate. Wittman builds on existing work at the intersection of the two fields to offer a more dynamic, nuanced, and wider lens on translation and modernism. The book draws on scholarship from descriptive translation studies, polysystems theory, and literary translation to explore modernist translators’ appropriation of source texts and their continuous recalibrations of equivalence between source text and translation. Chapters focus on translation projects from a range of writers, including Beckett, Garnett, Lawrence, Mansfield, and Rhys, with a particular spotlight on how women’s translations and women translators’ innovations were judged more critically than those of their male counterparts. Taken together, the volume puts forth a fresh perspective on translation and modernism and of the role of the modernist translator as co-creator in the translation process. This book will be of particular interest to scholars in translation studies, modernism, reception theory, and gender studies. Full Product DetailsAuthor: Emily O. WittmanPublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.670kg ISBN: 9780367541644ISBN 10: 0367541645 Pages: 278 Publication Date: 08 December 2023 Audience: College/higher education , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviews"""At the heart of this sympathetic and engaging study of modernism’s deep entanglement with translation lies a detailed and much-needed rehabilitation of the work of Constance Garnett. Wittman shows convincingly how English literature was transformed by the encounter with foreign works, most especially from Russian, through practices of translation, adaptation, homage, imitation and appropriation that she aptly names “co-creation”. This carefully argued book makes real contributions to translation studies, to an understanding of modernism in its international context, and to the history of English literature."" - David Bellos, Author of Is That a Fish in Your Ear? Translation and the Meaning of Everything" Author InformationEmily O. Wittman is Professor of English at the University of Alabama, USA,and has published many books, co-edited collections and numerous book chapters and articles. Tab Content 6Author Website:Countries AvailableAll regions |