Overview

In 2014, the UK science-fiction television series Black Mirror was released on Netflix worldwide, quickly becoming a hit with US audiences. Like other beloved British imports, this series piqued Americans' interest with hints of dark comedy, clever plotlines, and six-episode seasons that left audiences frantic for more. In Transatlantic Television Drama, volume editors Michele Hilmes, Matt Hills, and Roberta Pearson team up with leading scholars in TV studies and transnational television to look at how serial dramas like Black Mirror captivate US audiences, and what this reveals about the ways Americans and Brits relate to each other on and off the screen.Focusing on production strategies, performance styles, and audience reception, chapters delve into some of the most widely-discussed programs on the transatlantic circuit, from ongoing series like Game of Thrones, Downton Abbey, Orphan Black, and Sherlock, to those with long histories of transnational circulation like Masterpiece and Doctor Who, to others whose transnational success speaks to the process of exchange, adaptation, and cooperation such as Rome, Parade's End, Broadchurch, and Gracepoint. The book's first section investigates the platforms that support British/American exchange, from distribution partnerships and satellite providers to streaming services. The second section concentrates on the shift in meaning across cultural contexts, such as invocations of heritage, genre shifts in adaptation, performance styles, and, in the case of Episodes, actual dramatized depiction of the process of transatlantic television production. In section three, attention turns to contexts of audience reception, ranging from fan conventions and fiction to television criticism, the effects of national branding on audiences, and the role of social media in de- or re-contextualizing fans' response to transnational programs.

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9780190663124

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Reviews

This is a varied and wide-ranging collection that shows almost unfailing excellence (unsurprisingly given the calibre of many of the authors included); it is a valuable addition to this rapidly expanding field. -- Shannon Wells-Lassagne, Critical Studies in Television: The International Journal of Television Studies For anyone interested in the relationship between British and American television, this book is a must-read. It significantly updates and expands the existing literature in the field and manages to address a wide variety of aspects that emerge in the transnational relationship between the two countries. Hills, Hilmes, and Pearson have managed to bring together the top names in the study of the transatlantic relationship to investigate developments in the production, in the textual construction, and in fan and audience practices based on British and American television drama. --Elke Weissmann, Reader in Film and Television, Edge Hill University As we experience what many now call a golden age of television drama, this wonderful collection provides a valuable contribution to the long history of drama exchange between Britain and the United States. Focusing on imports, adaptation, and co-productions, it represents a worthwhile addition to reading lists, at a watershed moment when the way we locate and consume drama is undergoing radical change. --Jeanette Steemers, Professor of Culture, Media & Creative Industries, King's College London

"""This is a varied and wide-ranging collection that shows almost unfailing excellence (unsurprisingly given the calibre of many of the authors included); it is a valuable addition to this rapidly expanding field."" -- Shannon Wells-Lassagne, Critical Studies in Television: The International Journal of Television Studies ""For anyone interested in the relationship between British and American television, this book is a must-read. It significantly updates and expands the existing literature in the field and manages to address a wide variety of aspects that emerge in the transnational relationship between the two countries. Hills, Hilmes, and Pearson have managed to bring together the top names in the study of the transatlantic relationship to investigate developments in the production, in the textual construction, and in fan and audience practices based on British and American television drama."" --Elke Weissmann, Reader in Film and Television, Edge Hill University ""As we experience what many now call a golden age of television drama, this wonderful collection provides a valuable contribution to the long history of drama exchange between Britain and the United States. Focusing on imports, adaptation, and co-productions, it represents a worthwhile addition to reading lists, at a watershed moment when the way we locate and consume drama is undergoing radical change."" --Jeanette Steemers, Professor of Culture, Media & Creative Industries, King's College London"

For anyone interested in the relationship between British and American television, this book is a must-read. It significantly updates and expands the existing literature in the field and manages to address a wide variety of aspects that emerge in the transnational relationship between the two countries. Hills, Hilmes, and Pearson have managed to bring together the top names in the study of the transatlantic relationship to investigate developments in the production, in the textual construction, and in fan and audience practices based on British and American television drama. * Elke Weissmann, Reader in Film and Television, Edge Hill University * As we experience what many now call a golden age of television drama, this wonderful collection provides a valuable contribution to the long history of drama exchange between Britain and the United States. Focusing on imports, adaptation, and co-productions, it represents a worthwhile addition to reading lists, at a watershed moment when the way we locate and consume drama is undergoing radical change. * Jeanette Steemers, Professor of Culture, Media & Creative Industries, King's College London *

Author Information

Matt Hills is Professor of Media and Film at the University of Huddersfield, UK, and co-director of the Centre for Participatory Culture based there. His monographs include Fan Cultures, The Pleasures of Horror, Triumph of a Time Lord and Doctor Who: The Unfolding Event. He has published more than a hundred journal articles/book chapters on media fandom. Michele Hilmes is Professor Emerita at the University of Wisconsin-Madison, where she taught media studies for more than twenty years. Her books include Hollywood and Broadcasting: From Radio to Cable, Radio Voices: American Broadcasting 1922-1952, Network Nations: A Transnational History of British and American Broadcasting, and Only Connect: A Cultural History of Broadcasting in the United States. Roberta Pearson is Professor of Film and Television Studies at the University of Nottingham. Her books include Many More Lives of the Batman, Star Trek and American Television, Reading Lost: Perspectives on a Hit Television Show and Cult Television.

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