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9781800737235

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This valuable work engages fully with the field of cinema studies and demonstrates ways of building on traditional film theory from an ecocritical perspective. The author speaks the language of film aesthetics, provides sophisticated analyses that go beyond cursory readings of plot and narrative, and directly engages with film technology and its impact on textual meaning. * Stephen A. Rust, University of Oregon This is a significant contribution to the burgeoning field of ecocinema. The analyses of individual films are all expertly positioned within the existing literature, and O'Brien makes a convincing case for rethinking New Hollywood, as a mode of production and a cultural moment, from an ecocritical perspective. * Pietari Kaapa, University of Stirling

This valuable work engages fully with the field of cinema studies and demonstrates ways of building on traditional film theory from an ecocritical perspective. The author speaks the language of film aesthetics, provides sophisticated analyses that go beyond cursory readings of plot and narrative, and directly engages with film technology and its impact on textual meaning. - Stephen A. Rust, University of Oregon This is a significant contribution to the burgeoning field of ecocinema. The analyses of individual films are all expertly positioned within the existing literature, and O'Brien makes a convincing case for rethinking New Hollywood, as a mode of production and a cultural moment, from an ecocritical perspective. - Pietari Kaapa, University of Stirling

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Adam O'Brien teaches film studies at the universities of Bristol and Reading. He has published articles on ecocriticism and film in a number of journals, including Film Criticism, Journal of Media Practice, and ISLE: Interdisciplinary Studies in Literature and Environment.

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