Titian’s Icons: Tradition, Charisma, and Devotion in Renaissance Italy

Author:   Christopher J. Nygren (University of Pittsburgh)
Publisher:   Pennsylvania State University Press
ISBN:  

9780271085036


Pages:   272
Publication Date:   09 July 2020
Format:   Hardback
Availability:   To order   Availability explained
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Titian’s Icons: Tradition, Charisma, and Devotion in Renaissance Italy


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Full Product Details

Author:   Christopher J. Nygren (University of Pittsburgh)
Publisher:   Pennsylvania State University Press
Imprint:   Pennsylvania State University Press
Dimensions:   Width: 22.90cm , Height: 2.80cm , Length: 25.40cm
Weight:   1.474kg
ISBN:  

9780271085036


ISBN 10:   0271085037
Pages:   272
Publication Date:   09 July 2020
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

List of Illustrations Preface Acknowledgments List of Abbreviations Introduction: Titian, Charismatic Painter 1. Icons and Agency: The San Rocco Christ Carrying the Cross 2. Icons and Exegesis in Ferrara: Christ with the Coin and Judith/Salome 3. Erasmian Icons: Visualizing the Philosophia Christi 4. Icons and Community: Rome and the Network of Ecce Homos 5. Rupestrian Icons: Ecce Homo on Slate, Mater Dolorosa on Marble, and the Matter of Devotion 6. Explicit Icons: Historicity Between Tradition and Self 7. The Twilight of the Icon? Titian's Pieta in the Gallerie dell'Accademia Epilogue Notes Bibliograph Index

Reviews

In this groundbreaking investigation of Titian's understudied small-scale religious paintings, Christopher Nygren convincingly demonstrates in his rich and erudite analysis that these were high stakes painterly performances that prompted-even scripted-certain devotional responses from their sophisticated beholders. Provocatively referring to these polyvalent paintings as 'icons,' Nygren aligns Titian's art with early modern understandings about miraculous agency, votive petition, vibrant matter, and spiritual comportment. -Megan Holmes, author of The Miraculous Image in Renaissance Florence This searching and lucid study tactfully sets Titian's art into contexts of Christian devotional traditions and reform thought, not to dress the artist in pious robes but to reveal Titian's blazing pictorial intelligence at work at the very foundations of religious art. -Alexander Nagel, author of Medieval Modern: Art Out of Time An erudite study of Titian's small-format paintings of biblical subjects. Through a careful analysis of this group of paintings, and with particular attention to the early modern conflicts between the traditions of devotional images and theorizations of art, Nygren's book revises our understanding of Titian's position in the history of early modern sacred art. -Jodi Cranston, author of Green Worlds of Renaissance Venice


In this groundbreaking investigation of Titian's understudied small-scale religious paintings, Christopher Nygren convincingly demonstrates in his rich and erudite analysis that these were high-stakes painterly performances that prompted-even scripted-certain devotional responses from their sophisticated beholders. Provocatively referring to these polyvalent paintings as 'icons,' Nygren aligns Titian's art with early modern understandings about miraculous agency, votive petition, vibrant matter, and spiritual comportment. -Megan Holmes, author of The Miraculous Image in Renaissance Florence This searching and lucid study tactfully sets Titian's art into contexts of Christian devotional traditions and reform thought, not to dress the artist in pious robes but to reveal Titian's blazing pictorial intelligence at work at the very foundations of religious art. -Alexander Nagel, author of Medieval Modern: Art Out of Time An erudite study of Titian's small-format paintings of biblical subjects. Through a careful analysis of this group of paintings, and with particular attention to the early modern conflicts between the traditions of devotional images and theorizations of art, Nygren's book revises our understanding of Titian's position in the history of early modern sacred art. -Jodi Cranston, author of Green Worlds of Renaissance Venice


Author Information

Christopher J. Nygren is Assistant Professor of History of Art and Architecture at the University of Pittsburgh.

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