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OverviewArchitecture's relationship with its representations is peculiar, powerful and critical. Though driven by belief in the characteristics of physical reality, architecture is identified, discussed, and explained almost entirely through representations. Indeed, the representations are often described as though they were architecture itself. The status of the imaginary project, and the shifts in media technology which affect how we make and see architecture, are part of a construct of media representations, including photographs, exhibitions, journalism, books, critical theory, by which we define what is architecture. This is Not Architecture assembles architectural writers of different kinds - historians, theorists, journalists, computer game designers, technologists, film-makers and architects - to discuss the characteristics, cultures, limitations and bias of the different kinds of media, and to build up an argument as to how this complex culture of representations is constructed. James Ackerman, Philip Campbell, Beatriz Colomina, Paul Finch, David Greene, Alberto Perez Gomez, Charles Jencks, Patrick Keiller, William Mitchell, Alan Powers, Kester Rattenbury, Pierluigi Serraino, Full Product DetailsAuthor: Kester Rattenbury (University of Westminster, UK)Publisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 15.60cm , Height: 1.50cm , Length: 23.40cm Weight: 0.530kg ISBN: 9780415231800ISBN 10: 0415231809 Pages: 288 Publication Date: 25 April 2002 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents10. Framing Icons: Two Girls, Two Audiences: The Photography of Case Study House £22. 11. Naturally Biased: Architecture in the National Press. 12. The Architectural Book: Image and Accident. 13. Post-Modernism and the Revenge of the Book. 14. Architectural Publishing - an Alphabetical Guide. The Construction Theory. 15. ArchitectureProduction. 16. From Dematerialism to Depoliticisation in Architecture. 17. Wallpaper Person: Notes of the Behaviour of a New Species. 18. Everything Counts in Large Amounts (The Sound of Geography Collapsing). Order: Perspective and Architectural Representation. On the Origins of Architectural Photography. Architectural Cinematography. The Revenge of Place. Section Two: The Shape of Representation. Iconic Pictures. Think of it as a Farm! Diagrams: Interactive Instruments in Operation. The Height of the Kick: Designing Gameplay. Photo-Graph, Photo-Shop. Section Three: The Reporting of Architecture. Framing Icons: Two Girls, Two Audiences: The Photography of Case Study House £22. Naturally Biased: Architecture in the National Press. The Architectural Book: Image and Accident. Post-Modernism and the Revenge of the Book. Architectural Publishing - an Alphabetical Guide. Section Four: The Construction Theory. Architecture Production. Wallpaper Person: Notes of the Behaviour of a New Species. Everything Counts in Large Amounts (The Sound of Geography Collapsing).ReviewsWhat Rattenbury furthers in this anthology is an awareness that architecture is enriched -- and not impoverished -- by the communicative power of the drawn or captured image and its eventual dissemination.. <br>- Journal of Architectural Education, Vol. 57, Issue 4, May 2004 <br> 'This is a thought-provoking book. Much of the argument is very accessible.' - Building Design Author InformationKester Rattenbury is an architectural writer and teacher. She trained as an architect before doing a PhD on the coverage of architecture in the UK national press, and then going on to work as an architectural journalist. She now works as a freelance architectural writer and reviewer, and teaches a design to architectural students. She lives and works in London. Tab Content 6Author Website:Countries AvailableAll regions |
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