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OverviewIn this highly original interdisciplinary study incorporating close readings of literary texts and philosophical argumentation, Henry W. Pickford develops a theory of meaning and expression in art intended to counter the meaning skepticism most commonly associated with the theories of Jacques Derrida. Pickford arrives at his theory by drawing on the writings of Wittgenstein to develop and modify the insights of Tolstoy's philosophy of art. Pickford shows how Tolstoy's encounter with Schopenhauer's thought on the one hand provided support for his ethical views but on the other hand presented a problem, exemplified in the case of music, for his aesthetic theory, a problem that Tolstoy did not successfully resolve. Wittgenstein's critical appreciation of Tolstoy's thinking, however, not only recovers its viability but also constructs a formidable position within contemporary debates concerning theories of emotion, ethics, and aesthetic expression Full Product DetailsAuthor: Henry W. Pickford , Olga BarashPublisher: Academic Studies Press Imprint: Academic Studies Press ISBN: 9781644696163ISBN 10: 1644696169 Pages: 306 Publication Date: 02 November 2021 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Temporarily unavailable  The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you. Table of ContentsReviewsAuthor InformationHenry W. Pickford is associate professor at Duke University. He is the author of The Sense of Semblance: Philosophical Analyses of Holocaust Art, co-author of In Defense of Intuitions: A New Rationalist Manifesto, and the editor and translator of Theodor W. Adorno's Critical Models and Lev Loseff's Selected Early Poems. Tab Content 6Author Website:Countries AvailableAll regions |
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