Overview

Full Product Details

Author:   Jill Murphy ,  Laura Rascaroli ,  Lisa Åkervall (University of Gothenburg) ,  Stefano Baschiera (Queen’s University Belfast)
Publisher:   Amsterdam University Press
Imprint:   Amsterdam University Press
Edition:   0
Volume:   0
ISBN:  

9789462989467

ISBN 10:   946298946
Pages:   302
Publication Date:   08 October 2020
Audience:   Professional and scholarly ,  Adult education ,  Professional & Vocational ,  Further / Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

List of Illustrations Acknowledgments Foreword: Courtesy of the Artists, by Sandra Gibson + Luis Recoder Introduction: On Cinema Expanding, by Jill Murphy and Laura Rascaroli Part One: Materialities 1. Cinema as (In)Visible Object: Looking, Making, and Remaking, by Matilde Nardelli 2. Objects in Time: Artefacts in Artists' Moving Image, by Alison Butler 3. Materializing the Body of the Actor: Labour, Memory, and Storage, by Maeve Connolly 4. How to Spell 'Film': Gibson + Recoder's Alphabet of Projection, by Volker Pantenburg Part Two: Immaterialities 5. The Magic of Shadows: Distancing and Exposure in William Kentridge's More Sweetly Play the Dance, by Jill Murphy 6. Douglas Gordon and the Gallery of the Mind, by Sarah Cooper 7. A Throw of the Dice Will Never Abolish Chance: Tacita Dean's Section Cinema (Homage to Marcel Broodthaers), by Kirstie North Part Three: Temporalities 8. The Photo-Filmic Diorama, by Agnes Petho 9. The Cinematic Dispositif and its Ghost: Sugimoto's Theaters, by Stefano Baschiera 10. Time/Frame: On Cinematic Duration, by Laura Rascaroli Part Four: The Futures of the Image 11. Interactivity without Control: David OReilly's Everything (2017) and the Representation of Totality, by Andrew V. Uroskie 12. Post-Cinematic Unframing, by Lisa Åkervall 13. Absolute Immanence, by D. N. Rodowick Index

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Jill Murphy is an independent scholar. Laura Rascaroli is Professor of Film and Screen Media at University College Cork, Ireland.

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