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OverviewThis title unravels politics from theatre in order to propose a new means to politicize performance. Performance analyses ranging from child actors, animals and objects to reflections on the innovative theatre work of Societas Raffaello Sanzio, Forced Entertainment and Goat Island combine to offer a radical critique of performance studies. Full Product DetailsAuthor: A. ReadPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Dimensions: Width: 14.00cm , Height: 1.90cm , Length: 21.60cm Weight: 0.463kg ISBN: 9780230235243ISBN 10: 0230235247 Pages: 348 Publication Date: 14 December 2007 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviews'This is a rich and rewarding book, written with feeling and a deep commitment to its many, various and often unpredictable subjects. Readers who accept its generous invitation will be seduced, provoked and encouraged to think afresh about how they understand their theatre, their politics and their intellectual engagement.' - Nicholas Ridout, School of English and Drama, Queen Mary, University of London, UK 'Read's polemic poses a vehement and noteworthy challenge, not least for the urgency with which he calls for an ethics of practice and scholarship.' - Dominic Johnson, Contemporary Theatre Review 'This is a rich and rewarding book, written with feeling and a deep commitment to its many, various and often unpredictable subjects. Readers who accept its generous invitation will be seduced, provoked and encouraged to think afresh about how they understand their theatre, their politics and their intellectual engagement.' - Nicholas Ridout, School of English and Drama, Queen Mary, University of London, UK 'Read's polemic poses a vehement and noteworthy challenge, not least for the urgency with which he calls for an ethics of practice and scholarship.' - Dominic Johnson, Contemporary Theatre Review Author InformationALAN READ is currently Professor of Theatre at King's College London. In the 1980s he directed the neighbourhood theatre, Rotherhithe Theatre Workshop, in the 1990s he lived and worked in Barcelona and was Director of Talks at the Institute of Contemporary Arts in London. Alan Read is the author of Theatre& Everyday Life and the editor of The Fact of Blackness and Architecturally Speaking. Tab Content 6Author Website:Countries AvailableAll regions |
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