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OverviewThis title unravels politics from theatre in order to propose a new means to politicize performance. Performance analyses ranging from child actors, animals and objects to reflections on the innovative theatre work of Societas Raffaello Sanzio, Forced Entertainment and Goat Island combine to offer a radical critique of performance studies. Full Product DetailsAuthor: A. ReadPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Dimensions: Width: 14.00cm , Height: 2.50cm , Length: 21.60cm Weight: 0.591kg ISBN: 9780230572614ISBN 10: 0230572618 Pages: 348 Publication Date: 14 December 2007 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsList of Illustrations Acknowledgements Preface Self-Evident: Intimacy and Engagement The Human Laboratory: Parable of A Recent Past Nature, Theatre and Politics: The Present Project A Second Naivete: The Future Constitution PART I: ON THE SOCIAL LIFE OF THEATRE: TOWARDS A SCIENCE OF APPEARANCE The Ends of Politics, A Singular Art, The Social Conditional, Begin Again, Sufficient Goods, The Present Imperfect, Discipline in Distress, A Life in The Theatre, Theatre Returns PART II: ON PERFORMANCE AS SUCH AND ON HUMAN PERFORMANCE IN PARTICULAR The Anthropological Machine Nature Table Stage Play Ring Side Redeemed Night Infant Enthusiasm PART III: ON THE PART OF THOSE WHO HAVE NO PART The Distribution of The Sensible Recalling the Collective Forensic Display Arrested Life The Democracy Machine PART IV: IN THE EVENT OF EXTINCTION: NATURAL HISTORY AND ITS ENDS Destination Nature, Natural History, The Extinction of Performance, The Last Human Venue, The Franciscan Model POSTSCRIPT The Paradox of The Actor The Parallax of The Performer The Lazarus Affect Bibliography IndexReviews'This is a rich and rewarding book, written with feeling and a deep commitment to its many, various and often unpredictable subjects. Readers who accept its generous invitation will be seduced, provoked and encouraged to think afresh about how they understand their theatre, their politics and their intellectual engagement.' - Nicholas Ridout, School of English and Drama, Queen Mary, University of London, UK 'This is a rich and rewarding book, written with feeling and a deep commitment to its many, various and often unpredictable subjects. Readers who accept its generous invitation will be seduced, provoked and encouraged to think afresh about how they understand their theatre, their politics and their intellectual engagement.' - Nicholas Ridout, School of English and Drama, Queen Mary, University of London, UK 'Read's polemic poses a vehement and noteworthy challenge, not least for the urgency with which he calls for an ethics of practice and scholarship.' - Dominic Johnson, Contemporary Theatre Review Author InformationALAN READ is the author of Theatre & Everyday Life and the editor of The Fact of Blackness and Architecturally Speaking. He is currently Professor of Theatre at King's College London, UK, where he directs Performance & Innovation @ The Anatomy Theatre, an interdisciplinary research centre. Tab Content 6Author Website:Countries AvailableAll regions |
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