Overview

"A thrilling trove of newly discovered color works from the photographer celebrated for his pioneering painterly vision Now firmly established as one of the world's greatest photographers, Saul Leiter (1923-2013) was relatively little known until the 2006 publication of Saul Leiter: Early Color, when he was already in his eighties. Choosing to shoot in color when black and white was the norm, Leiter portrayed midcentury New York's street life with a gorgeous painterliness that evoked the sensuality of his Abstract Expressionist contemporaries Rothko and Newman. His studio in the East Village, where he lived from 1952 until his death in 2013, is now the home of the Saul Leiter Foundation, which has commenced a full-scale survey of his more than 80,000 works. This volume contains works discovered through this project--specifically, color photography from slides never before published or seen by the public. It is edited by Margit Erb and Michael Parillo of the Saul Leiter Foundation, and is embellished with texts that describe how Leiter assembled his slide archive and how it is being catalogued and restored. Saul Leiter was born in Pittsburgh in 1923. He pioneered a painterly approach to color photography in the 1940s and produced covers for fashion magazines such as Vogue and Harper's Bazaar, before largely withdrawing from public attention in the 1980s. The publication of his first collection, Early Color, by Steidl in 2006, inspired an avid ""rediscovery"" that led to worldwide exhibitions and the release of a documentary, In No Great Hurry: 13 Lessons in Life with Saul Leiter (2014). He died in New York in 2013."

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9781636810683

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Reviews

The photographs in Unseen reveal a delight in the local, the close-at-hand, the particular--and a constant immersion in and attention to the world as it is.--Paul Maziar Brooklyn Rail The Unseen Saul Leiter is one of those books that brings fresh evidence of talent and love.--W. Scott Olsen Frames At a time when photos are disposable and Instagram gratification is coin of the realm, Unseen Saul Leiter is a book that will teach you a new way to see.--Bill Shapiro Esquire It is a revelatory and colossal archival project that allows even Leiter's enthusiasts to discover him all over again.--Kim Bubello TIME Leiter was a keen observer as life unfolded before him, somehow finding a way to reliably pluck a sublime split-second out of a mundane moment.--Mee-Lai Stone Guardian The book takes us into familiar Leiter territory--umbrellas, red dresses, rain-dappled windows--only to prove the man all the more remarkable for never seeing a thing the same way twice.--Julia Vitale Airmail There are hardly any notable color photographs from that era - other than Leiter's. This makes his images of everyday Manhattan such a revelation: a black-and-white world turned into a sidewalk Oz.--Mark Feeney Boston Globe The photographs and texture of the mundane movements of the city: a couple kissing on a rain-dampened bench, glossy taxis waiting in the street, the flash of a red dress.--Baya Simons Financial Times: How To Spend It These previously unpublished selections of 35mm slides confirm and extend the stubborn singularity of Leiter's color language.--Randy Kennedy Aperture

At a time when photos are disposable and Instagram gratification is coin of the realm, Unseen Saul Leiter is a book that will teach you a new way to see.--Bill Shapiro Esquire It is a revelatory and colossal archival project that allows even Leiter's enthusiasts to discover him all over again.--Kim Bubello TIME Leiter was a keen observer as life unfolded before him, somehow finding a way to reliably pluck a sublime split-second out of a mundane moment.--Mee-Lai Stone Guardian The book takes us into familiar Leiter territory--umbrellas, red dresses, rain-dappled windows--only to prove the man all the more remarkable for never seeing a thing the same way twice.--Julia Vitale Airmail There are hardly any notable color photographs from that era - other than Leiter's. This makes his images of everyday Manhattan such a revelation: a black-and-white world turned into a sidewalk Oz.--Mark Feeney Boston Globe The photographs and texture of the mundane movements of the city: a couple kissing on a rain-dampened bench, glossy taxis waiting in the street, the flash of a red dress.--Baya Simons Financial Times: How To Spend It These previously unpublished selections of 35mm slides confirm and extend the stubborn singularity of Leiter's color language.--Randy Kennedy Aperture

The photographs and texture of the mundane movements of the city: a couple kissing on a rain-dampened bench, glossy taxis waiting in the street, the flash of a red dress.--Baya Simons Financial Times: How To Spend It These previously unpublished selections of 35mm slides confirm and extend the stubborn singularity of Leiter's color language.--Randy Kennedy Aperture

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