Overview

In this paradigm shifting study, developed through close textual readings and sensitive analysis of artworks, Clare Lapraik Guest re-evaluates the central role of ornament in pre-modern art and literature. Moving from art and thought in antiquity to the Italian Renaissance, she examines the understandings of ornament arising from the Platonic, Aristotelian and Sophistic traditions, and the tensions which emerged from these varied meanings. The book views the Renaissance as a decisive point in the story of ornament, when its subsequent identification with style and historicism are established. It asserts ornament as a fundamental, not an accessory element in art and presents its restoration to theoretical dignity as essential to historical scholarship and aesthetic reflection.

Full Product Details

Author:   Clare Lapraik Guest
Publisher:   Brill
Imprint:   Brill
Volume:   245/10
Dimensions:   Width: 15.50cm , Height: 4.10cm , Length: 23.50cm
Weight:   1.202kg
ISBN:  

9789004297968

ISBN 10:   9004297960
Pages:   692
Publication Date:   20 November 2015
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In stock  
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Table of Contents

Abbreviations List of illustrations Acknowledgements Introduction PART ONE ANCIENT PROLEGOMENA Chapter 1 Kosmos Chapter 2 Rhetoric and Illusion Chapter 3 Cosmic Decor PART TWO FRAGMENT AND DESIGN Chapter 4 Architecture and the City Chapter 5 Garland and Mosaic in literary Humanism Chapter 6 Topics and Style Chapter 7 Ornament and Disegno, Colour and Perspective Chapter 8 The City recovered, Triumph and Time Chapter 9 The Emblematic Continuum Chapter 10 Spolia and Ornamental Design Chapter 11 The Grottesche Part 1. Fragment to Field Chapter 12 The Grottesche Part 2. Signs, Topography and the Dream of Painting Conclusion Bibliography Index

Reviews

substantial, deeply learned study [...] excellent book [...]. One is grateful for the indexes of names, places and subjects which will guide consultation and re-reading. And the illustrations are so apt and so beautiful, and bring together so many of the theoretical and physical elements, that they form a harmonious accompaniment that is also a constant source of astonishment. Eilean Ni Chuilleanain, Trinity College Dublin (Emeritus). In: Oenach: JFMRSI Reviews, Vol. 8, No. 1 (2016), pp. 12-19.

Author Information

Clare Lapraik Guest, Ph.D. (2004), Trinity College Dublin, is Visiting Research Fellow at that University. Her publications in Italian Renaissance art and thought include The Muses and their Afterlife in Post-Classical Europe (Warburg Institute, 2014), co-edited with Kathleen Christian, Claudia Wedepohl.

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