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OverviewFull Product DetailsAuthor: Mark Taylor-Batty (University of Leeds, UK) , Antonin Artaud , Mark Taylor-Batty (University of Leeds, UK)Publisher: Bloomsbury Publishing PLC Imprint: Methuen Drama Dimensions: Width: 13.80cm , Height: 2.50cm , Length: 21.60cm Weight: 0.454kg ISBN: 9781350288713ISBN 10: 1350288713 Pages: 280 Publication Date: 22 February 2024 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In stock  We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsAcknowledgements Illustrations Introduction: The Routes to Cruelty The Theatre and its Double Preface: Theatre and Culture The Theatre and the Plague Staging and Metaphysics The Alchemical Theatre On the Balinese Theatre Theatre in the East and Theatre in the West No More Masterpieces Theatre and Cruelty The Theatre of Cruelty (First Manifesto) Letters Concerning Cruelty Letters Concerning Language The Theatre of Cruelty (Second Manifesto) An Affective Athleticism Two Notes i.The Marx Brothers ii.Autour d’une mère Seraphim’s Theatre Notes, interviews, and correspondence Appendix: The Dossier of The Theatre and its Double Notes IndexReviewsAuthor InformationAntonin Artaud (1896-1948) (author) was a French dramatist, poet, essayist, actor and theatre director, widely recognized as one of the major figures of twentieth-century theatre and the European avant-garde. Mark Taylor-Batty (translator) is Professor of Theatre and Performance at the University of Leeds, UK. His previous publications include The Theatre of Harold Pinter (Bloomsbury, 2014), About Pinter: The Playwright and the Work (2005), Roger Blin: Collaborations and Methodologies (2007) and, co-authored with his wife Juliette Taylor-Batty, Samuel Beckett's Waiting for Godot (2009). Tab Content 6Author Website:Countries AvailableAll regions |
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