The Technique of Film and Video Editing: History, Theory, and Practice

Author:   Ken Dancyger (Tisch School of the Arts, New York University, NY, USA)
Publisher:   Taylor & Francis Ltd
Edition:   6th edition
ISBN:  

9781138628397


Pages:   538
Publication Date:   22 November 2018
Format:   Hardback
Availability:   In Print   Availability explained
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The Technique of Film and Video Editing: History, Theory, and Practice


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Overview

This updated sixth edition of The Technique of Film and Video Editing provides a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound. Ken Dancyger puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice across a range of genres, including action, comedy, drama, documentary and experimental forms, featuring analysis of dozens of classic and contemporary films. This new sixth edition includes new chapters on the influence of other media on the editing form, on the importance of surprise in editing, on the contributions of Robert Altman to the art of editing and on the experimental documentary. This edition also includes expanded coverage in technology, creative sound, point of view, and the long take. New case studies explore Whiplash (2014), Room (2015), Lincoln (2012), Tangerine (2015), The Beaches of Agnès (2008), American Sniper (2014), Son of Saul (2015), The Revenant (2015), and many more.

Full Product Details

Author:   Ken Dancyger (Tisch School of the Arts, New York University, NY, USA)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   6th edition
Weight:   1.224kg
ISBN:  

9781138628397


ISBN 10:   1138628395
Pages:   538
Publication Date:   22 November 2018
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Reviews

Ken's additions to his book show all of us who love and study the craft of editing, a real understanding of the importance and stimulating impact editing has in helping tell a story, create mood, and shape characters. -Samuel D. Pollard, Academy Award Nominee, Emmy Award-winning Editor, Eyes on the Prize (1990), 4 Little Girls (1997), When the Levees Broke: A Requiem in Four Acts (2006), ACORN and the Firestorm (2017) From D.W. Griffith to MTV, from silent movies to action films, Dancyger explores not only history, techniques, and the social aspects of film and video, but he also looks at how technology has affected film and video making and editing. This isn't a quick read, but definitely worthwhile if you want to gain an understanding of what it takes to be an excellent director and editor. -Theano Nikitas, Camcorder & Computer Video Dancyger's book is an excellent introduction to the art of manipulating moving pictures and sound for students, amateurs, hobbyists and professionals alike. -Videomaker.com


Ken Dancyger continues to update and improve this latest edition for what is already the 'gold standard' of books on editing. He knows good storytelling and how editing is integral to the process. He places this in historical context with theory and practice. If you are a student of editing, you should read this book. -Scott Arundale, Editor; Author of Modern Post: Workflows and Techniques of Digital Filmmakers Ken's additions to his book show all of us who love and study the craft of editing, a real understanding of the importance and stimulating impact editing has in helping tell a story, create mood, and shape characters. -Samuel D. Pollard, Academy Award Nominee, Emmy Award-winning Editor, Eyes on the Prize (1990), 4 Little Girls (1997), When the Levees Broke: A Requiem in Four Acts (2006), ACORN and the Firestorm (2017) From D.W. Griffith to MTV, from silent movies to action films, Dancyger explores not only history, techniques, and the social aspects of film and video, but he also looks at how technology has affected film and video making and editing. This isn't a quick read, but definitely worthwhile if you want to gain an understanding of what it takes to be an excellent director and editor. -Theano Nikitas, Camcorder & Computer Video Dancyger's book is an excellent introduction to the art of manipulating moving pictures and sound for students, amateurs, hobbyists and professionals alike. -Videomaker.com Ken Dancyger continues to update and improve this latest edition for what is already the 'gold standard' of books on editing. He knows good storytelling and how editing is integral to the process. He places this in historical context with theory and practice. If you are a student of editing, you should read this book. -Scott Arundale, Editor; Author of Modern Post: Workflows and Techniques of Digital Filmmakers Ken's additions to his book show all of us who love and study the craft of editing, a real understanding of the importance and stimulating impact editing has in helping tell a story, create mood, and shape characters. -Samuel D. Pollard, Academy Award Nominee, Emmy Award-winning Editor, Eyes on the Prize (1990), 4 Little Girls (1997), When the Levees Broke: A Requiem in Four Acts (2006), ACORN and the Firestorm (2017) From D.W. Griffith to MTV, from silent movies to action films, Dancyger explores not only history, techniques, and the social aspects of film and video, but he also looks at how technology has affected film and video making and editing. This isn't a quick read, but definitely worthwhile if you want to gain an understanding of what it takes to be an excellent director and editor. -Theano Nikitas, Camcorder & Computer Video Dancyger's book is an excellent introduction to the art of manipulating moving pictures and sound for students, amateurs, hobbyists and professionals alike. -Videomaker.com


Author Information

Ken Dancyger is a Professor of Film and Television at Tisch School of the Arts at New York University, as well as the author of numerous books on screenwriting, editing, and production, including Alternative Scriptwriting (with Jeff Rush) and Writing the Short Film (with Patricia Cooper), The Director’s Idea and Global Scriptwriting, all published by Routledge/Focal Press. Ken also conducts scriptwriting and editing workshops internationally.

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