The Superhero Symbol: Media, Culture, and Politics

Author:   Liam Burke ,  Ian Gordon ,  Angela Ndalianis ,  Liam Burke
Publisher:   Rutgers University Press
ISBN:  

9780813597171


Pages:   336
Publication Date:   13 December 2019
Recommended Age:   From 16 to 99 years
Format:   Hardback
Availability:   In Print   Availability explained
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The Superhero Symbol: Media, Culture, and Politics


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Full Product Details

Author:   Liam Burke ,  Ian Gordon ,  Angela Ndalianis ,  Liam Burke
Publisher:   Rutgers University Press
Imprint:   Rutgers University Press
Dimensions:   Width: 15.20cm , Height: 2.30cm , Length: 22.90cm
Weight:   0.594kg
ISBN:  

9780813597171


ISBN 10:   081359717
Pages:   336
Publication Date:   13 December 2019
Recommended Age:   From 16 to 99 years
Audience:   General/trade ,  College/higher education ,  Professional and scholarly ,  General ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

"Contents                                                                                    Introduction: “Everlasting” Symbols: Unmasking superheroes and their shifting symbolic function, Liam Burke Section 1: Superheroes, Politics, and Civic Engagement 1. “What Else Can You Do With Them?”: Superheroes and the Civic Imagination Henry Jenkins   2. “America Is A Piece of Trash”: Captain America, Patriotism, Nationalism, and Fascism Neal Curtis   3. “This Land is Mine!” Understanding the Function of Supervillains Jason Bainbridge   Interview 1: Comics artist, writer, and ""herstorian"" Trina Robbins   Section 2: The Superhero as a Brand   4. The Secret Commercial Identity of Superheroes: Protecting the Superhero Symbol Mitchell Adams   5. Siegel and Shuster as Brand Name Ian Gordon   6. Practicing Superhuman Law: Creative License, Industrial Identity, and Spider-Man’s Homecoming Tara Lomax   7. The sound of the cinematic superhero Dan Golding   Interview 2: Former President of DC Entertainment Diane Nelson   Section 3: Becoming the Superhero   8. ­­­­­­­­­Arkham Knave: The Joker in Game Design Steven Conway   9. Being Super, Becoming Heroes: Dialogic Superhero Narratives in Cosplay Collectives Claire Langsford   10. “From Pages to Pavements”: A Criminological Comparison Between Depictions of Crime Control in Superhero Narratives and “Real-Life Superhero” Activity Vladislav Iouchkov and John McGuire   Interview 3: Dark Night: A True Batman Story writer Paul Dini   Section 4: Superheroes and National Identity   11. Captain America, National Narratives, and the Queer Subversion of the Retcon Naja Later   12. Apes, Angels, and Super Patriots: The Irish in Superhero Comics Liam Burke   13. Missing in Action: The Late Development of the German-Speaking Superhero Paul M. Malone   14. Chinese Milk for Iron Men: Superhero Coproductions and Technological Anxiety Shan Mu Zhao   15. Age of the Atoman: Australian Superhero Comics and Cold War Modernity Kevin Patrick   Interview 4: Cleverman creator Ryan Griffen and star Hunter Page-Lochard   Acknowledgements Notes on the Editors Notes on Contributors Index  "

Reviews

This extraordinary league of transmedial comics scholars pull off the impossible: the definitive tome on how global industries create and planetary consumers actively engage with the superhero symbol. The tack-sharp cross-disciplinary scholarship along with deep-probe interviews with industry titans take us on a wild journey through time and space to forcefully show how those costume-clad full-chested insignias and sky-beamed icons are much more than expressions of fan-boy wish fulfilment fantasies. Provocative. Field defining. A must read! --Frederick Luis Aldama author of the Eisner Award winning Latinx Superheroes in Mainstream Comics With contributions by an imposing list of scholars, The Superhero Symbol offers readers enlightening essays on the politics of the superhero, on the commercial branding, nationalism and national identity, on sexuality and sexual identity, and on the culture and mythology of the superhero; in short, everything about the superhero that you never asked because it never even occurred to you to ask. --Trina Robbins author of Pretty in Ink, North American Women Cartoonists 1896 - 2013


"""With contributions by an imposing list of scholars, The Superhero Symbol offers readers enlightening essays on the politics of the superhero, on the commercial branding, nationalism and national identity, on sexuality and sexual identity, and on the culture and mythology of the superhero; in short, everything about the superhero that you never asked because it never even occurred to you to ask."" -- Trina Robbins * author of Pretty in Ink, North American Women Cartoonists 1896 - 2013 * ""This extraordinary league of transmedial comics scholars pull off the impossible: the definitive tome on how global industries create and planetary consumers actively engage with the superhero symbol. The tack-sharp cross-disciplinary scholarship along with deep-probe interviews with industry titans take us on a wild journey through time and space to forcefully show how those costume-clad full-chested insignias and sky-beamed icons are much more than expressions of fan-boy wish fulfilment fantasies. Provocative. Field defining. A must read!"" -- Frederick Luis Aldama * author of the Eisner Award winning Latinx Superheroes in Mainstream Comics * ""Throughout the essays cross-refer, giving the collection considerable unity. Combining fundamental concerns in superhero studies with a variety of thought-provoking special topics, and studded with color illustrations, this is a worthwhile collection for both knowledgeable scholars and newcomers to superhero studies. Recommended."" * Choice * ""There is a lot of ground covered in this book, much of which will make you think beyond your normal perimeters and that’s never a bad thing and makes for an interesting book."" * SFcrowsnest *"


“With contributions by an imposing list of scholars, The Superhero Symbol offers readers enlightening essays on the politics of the superhero, on the commercial branding, nationalism and national identity, on sexuality and sexual identity, and on the culture and mythology of the superhero; in short, everything about the superhero that you never asked because it never even occurred to you to ask.” “This extraordinary league of transmedial comics scholars pull off the impossible: the definitive tome on how global industries create and planetary consumers actively engage with the superhero symbol. The tack-sharp cross-disciplinary scholarship along with deep-probe interviews with industry titans take us on a wild journey through time and space to forcefully show how those costume-clad full-chested insignias and sky-beamed icons are much more than expressions of fan-boy wish fulfilment fantasies. Provocative. Field defining. A must read!”


Author Information

LIAM BURKE is the Cinema and Screen Studies Coordinator at Swinburne University of Technology in Melbourne, Australia, where he also teaches classes on comic books and cinema. He has written and edited a number of books including The Comic Book Film Adaptation (2015), Fan Phenomena Batman (2012), and Superhero Movies (2008).     IAN GORDON teaches cultural history and American Studies at the National University of Singapore, where he is the Head of the Department of History. His books include Superman: The Persistence of an American Icon (2017), Kid Comic Strips: A Genre Across Four Countries (2016), Comic Strips and Consumer Culture (1998), and the edited work Film and Comic Books (2007).   ANGELA NDALIANIS is Director of the Centre for Transformative Media Technologies at Swinburne University of Technology. The books she has written or edited include The Horror Sensorium: Media and the Senses (2012), Science Fiction Experiences (2010), The Contemporary Comic Book Superhero (2009), Super/Heroes: from Hercules to Superman (2007), and Neo-Baroque Aesthetics and Contemporary Entertainment (2004).    

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