The Sound of Tartini: Instruments and Performing Practices in His Time

Author:   Margherita Canale Degrassi ,  Paolo da Col
Publisher:   Peter Lang AG
Edition:   New edition
ISBN:  

9783631874905


Pages:   152
Publication Date:   20 December 2023
Format:   Hardback
Availability:   In Print   Availability explained
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The Sound of Tartini: Instruments and Performing Practices in His Time


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Author:   Margherita Canale Degrassi ,  Paolo da Col
Publisher:   Peter Lang AG
Imprint:   Peter Lang AG
Edition:   New edition
Weight:   0.275kg
ISBN:  

9783631874905


ISBN 10:   3631874901
Pages:   152
Publication Date:   20 December 2023
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Margherita Canale Degrassi completed her violin studies at the Music Conservatory in Trieste. She holds a degree in Musicology from the University of Pavia and a PhD in Musicology from the University of Padua, where she wrote a thesis on the thematic catalogue of Giuseppe Tartini’s concertos. She has published on authors of instrumental music of the 18th and 19th centuries, orchestral ensembles, instrumental praxis, violin technique and didactics. She has identified new compositions of Giuseppe Tartini and promoted the first performance and recording. Currently, she is collaborating on the edition of Tartini’s opera omnia. Paolo Da Col completed his musical training in Bologna and pursued Musicology studies at the Università Ca’ Foscari in Venice and the Centre d’études supérieures de la Renaissance in Tours. Interested in Renaissance and pre-classical music from a young age, he has always viewed research and performance as closely connected. Since 1998 he has conducted the vocal ensemble Odhecaton. He currently serves as the librarian at the Conservatorio Benedetto Marcello in Venice. He is also an editor of music and an author of catalogues and essays on the history of Renaissance and pre-classical vocal music.

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