Overview

New Yorker staff writer John Seabrook tells a fascinating story of creativity and commerce that explains how songs have become so addictive. Over the last two decades a new type of song has emerged. Today's hits bristle with hooks, musical burrs designed to snag your ear every seven seconds. Painstakingly crafted to tweak the brain's delight in melody, rhythm, and repetition, these songs are industrial-strength products made for malls, casinos, the gym, and the Super Bowl halftime show. The tracks are so catchy, and so potent, that you can't not listen to them. Traveling from New York to Los Angeles, Stockholm to Korea, John Seabrook visits specialized teams composing songs in digital labs with novel techniques, and he traces the growth of these contagious hits from their origins in early '90s Sweden to their ubiquity on today's charts. Featuring the stories of artists like Katy Perry, Britney Spears, and Rihanna, as well as expert songsmiths like Max Martin, Ester Dean, and Dr. Luke, The Song Machine will change the way you listen to music.

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9781665152266

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"John Seabrook has been a staff writer at The New Yorker since 1993. The author of several books including Nobrow, he has taught narrative nonfiction writing at Princeton University. He lives in Brooklyn, New York. Dion Graham is an award-winning narrator named a ""Golden Voice"" by AudioFile magazine. He has been a recipient of the prestigious Audie Award numerous times, as well as Earphones Awards, the Publishers Weekly Listen Up Awards, IBPA Ben Franklin Awards, and the ALA Odyssey Award. He was nominated in 2015 for a Voice Arts Award for Outstanding Narration. He is also a critically acclaimed actor who he has performed on Broadway, off Broadway, internationally, in films, and in several hit television series. He is a graduate of Rutgers University's Mason Gross School of the Arts, with an MFA degree in acting."

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