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OverviewThis book explores the part played by music, especially group singing, in the Protestant reforms in Strasbourg. It considers both ecclesiastical and ’popular’ songs in the city, how both genres fitted into people’s lives during this time of strife and how the provision and dissemination of music affected the new ecclesiastical arrangement. Full Product DetailsAuthor: Daniel Trocme-Latter , Professor Euan Cameron , Professor Bruce Gordon , Dr. Bridget HealPublisher: Taylor & Francis Ltd Imprint: Routledge Edition: New edition Dimensions: Width: 15.60cm , Height: 2.40cm , Length: 23.40cm Weight: 2.000kg ISBN: 9781472432063ISBN 10: 1472432061 Pages: 414 Publication Date: 28 April 2015 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction; The Church and the ‘wonderful art’ of music; Abolishing the mass; The move towards conformity; Song texts and their messages; The 1541 Gesangbuch and Strasbourg’s external influence; Conclusions; Appendices; Bibliography; Index.ReviewsAuthor InformationDr Daniel Trocmé-Latter is Fellow and Director of Studies in Music, Homerton College, Cambridge, UK. Tab Content 6Author Website:Countries AvailableAll regions |
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