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OverviewThe Shape of Revelation explores the overlap between revelation and aesthetic form from the perspective of Judaism. It does so by setting the Jewish philosophy of Martin Buber and Franz Rosenzweig alongside its immediate visual environment in the aesthetics of early German modernism, most notably alongside ""the spiritual in art"" as it appears in the art and art theories of Wassily Kandinsky, Paul Klee, and Franz Marc. The modern shape of revelation-and ""the spiritual in art"" that emerges from this conversation-builds upon a vocabulary of form-creation, sheer presence, lyric pathos, rhythmic repetition, open spatial dynamism, and erotic pulse that was unique to Germany in the first quarter of the twentieth century. This study works to identify and critically assess the sensual root that is brought to bear upon the modern image of revelation and ""the spiritual in art."" Full Product DetailsAuthor: Zachary BraitermanPublisher: Stanford University Press Imprint: Stanford University Press Dimensions: Width: 15.20cm , Height: 2.00cm , Length: 22.90cm Weight: 0.617kg ISBN: 9780804753210ISBN 10: 0804753210 Pages: 352 Publication Date: 19 March 2007 Audience: College/higher education , Professional and scholarly , Postgraduate, Research & Scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents@fmct:Contents @toc4:Acknowledgments iii Abbreviations iii Preface: Revelation and the Spiritual in Art iii @toc2:Introduction 1 1 Form 000 2 Abstraction 000 3 Pathos 000 4 Time 000 5 Space 000 6 Eros 000 Epilogue: Mutations 000 @toc4:Notes 000 Index 000ReviewsThis material is fascinating and largely unnoticed by recent interpreters of modern Jewish thought... The book is about beauty and itself is beautiful. -Newsletter of the Central Conference of American Rabbis In his new book, [Braiterman] brilliantly traces the parallels between modern Jewish religious thought as epitomized by Martin Buber and Franz Rosenzweig, and contemporaneous trends in visual art as exemplified by Kandinsky, Klee, and Franz Marc... In short, an impressive achievement. -Jewish Book World This learned and challenging academic study offers a poetic, timely call for shifting the Jewish communal focus from policies based on corporate strategy toward a debate on Jewish mission and meaning, in which text, tradition, and modernity combine. -Ha'aretz This material is fascinating and largely unnoticed by recent interpreters of modern Jewish thought... The book is about beauty and itself is beautiful. - Newsletter of the Central Conference of American Rabbis In his new book, [Braiterman] brilliantly traces the parallels between modern Jewish religious thought as epitomized by Martin Buber and Franz Rosenzweig, and contemporaneous trends in visual art as exemplified by Kandinsky, Klee, and Franz Marc... In short, an impressive achievement. - Jewish Book World This learned and challenging academic study offers a poetic, timely call for shifting the Jewish communal focus from policies based on corporate strategy toward a debate on Jewish mission and meaning, in which text, tradition, and modernity combine. - Ha'aretz Braiterman has created a fascinating, brilliant, and valuable new reading of Buber and Rosenzweig by reinserting the two Jewish thinkers into their context in German culture. He shows their work has profound confluences and parallels with that culture, especially with modernist painters such as Klee and Kandinksy. With The Shape of Revelation, Jewish thought regains the specific aesthetics of German modernism, and modernist aesthetics regains its theological/spiritual dimension. - Robert Gibbs, University of Toronto Braiterman has created a fascinating, brilliant, and valuable new reading of Buber and Rosenzweig by reinserting the two Jewish thinkers into their context in German culture. He shows their work has profound confluences and parallels with that culture, especially with modernist painters such as Klee and Kandinksy. With The Shape of Revelation, Jewish thought regains the specific aesthetics of German modernism, and modernist aesthetics regains its theological/spiritual dimension. - Robert Gibbs, University of Toronto This material is fascinating and largely unnoticed by recent interpreters of modern Jewish thought... The book is about beauty and itself is beautiful. --Newsletter of the Central Conference of American Rabbis In his new book, [Braiterman] brilliantly traces the parallels between modern Jewish religious thought as epitomized by Martin Buber and Franz Rosenzweig, and contemporaneous trends in visual art as exemplified by Kandinsky, Klee, and Franz Marc... In short, an impressive achievement. --Jewish Book World This learned and challenging academic study offers a poetic, timely call for shifting the Jewish communal focus from policies based on corporate strategy toward a debate on Jewish mission and meaning, in which text, tradition, and modernity combine. --Ha'aretz Braiterman has created a fascinating, brilliant, and valuable new reading of Buber and Rosenzweig by reinserting the two Jewish thinkers into their context in German culture. He shows their work has profound confluences and parallels with that culture, especially with modernist painters such as Klee and Kandinksy. With The Shape of Revelation, Jewish thought regains the specific aesthetics of German modernism, and modernist aesthetics regains its theological/spiritual dimension. --Robert Gibbs, University of Toronto Author InformationZachary Braiterman is Associate Professor of Religion at Syracuse University and the author of (God) After Auschwitz: Tradition and Change in Post Holocaust Jewish Thought (1998). Tab Content 6Author Website:Countries AvailableAll regions |