The Sexuality of Christ in Renaissance Art and in Modern Oblivion

Author:   Leo Steinberg
Publisher:   The University of Chicago Press
Edition:   New ed of 2 Revised ed
ISBN:  

9780226771878


Pages:   426
Publication Date:   01 January 1997
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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The Sexuality of Christ in Renaissance Art and in Modern Oblivion


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Overview

Originally published in 1983, Leo Steinberg's classic work has changed the viewing habits of a generation. After centuries of repression and censorship, the sexual component in thousands of revered icons of Christ is restored to visibility. Steinberg's evidence resides in the imagery of the overtly sexed Christ, in Infancy and again after death. Steinberg argues that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition. Christ's lifelong virginity, understood as potency under check, and the first offer of blood in the circumcision, both required acknowledgment of the genital organ. More than exercises in realism, these unabashed images underscore the crucial theological import of the Incarnation.  This revised and greatly expanded edition not only adduces new visual evidence, but deepens the theological argument and engages the controversy aroused by the book's first publication.

Full Product Details

Author:   Leo Steinberg
Publisher:   The University of Chicago Press
Imprint:   University of Chicago Press
Edition:   New ed of 2 Revised ed
Dimensions:   Width: 1.90cm , Height: 0.20cm , Length: 2.40cm
Weight:   0.765kg
ISBN:  

9780226771878


ISBN 10:   0226771873
Pages:   426
Publication Date:   01 January 1997
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Leo Steinberg (1920-2011) was born in Moscow and raised in Berlin and London, emigrating with his family to New York in 1945. He was a professor of art history at Hunter College, City University of New York, and then Benjamin Franklin Professor at the University of Pennsylvania, where he remained until his retirement in 1990.

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