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OverviewA major collection of essays and interviews from an iconic 20th-century philosopher in five volumes, now all available together in paperback. Roland Barthes was a restless, protean thinker. A constant innovator—often as a daring smuggler of ideas from one discipline to another—he first gained an audience with his pithy essays on mass culture and then went on to produce some of the most suggestive and stimulating cultural criticism of the late twentieth century, including Empire of Signs, The Pleasure of the Text, and Camera Lucida. In 1976, this one-time structuralist outsider was elected to a chair at France’s preeminent Collège de France, where he chose to style himself as a professor of literary semiology until his death in 1980. The greater part of Barthes’s published writings has been available to a French audience since 2002, but now, translator Chris Turner presents a collection of essays, interviews, prefaces, book reviews, and other journalistic material for the first time in English and divided into five themed volumes. Volume two, The “Scandal” of Marxism, contains a wide range of his more overtly political writings, with an emphasis on his early work and the serious national turbulence in the French 1950s. Full Product DetailsAuthor: Roland Barthes , Chris Turner , Chris TurnerPublisher: Seagull Books London Ltd Imprint: Seagull Books London Ltd Dimensions: Width: 0.50cm , Height: 0.10cm , Length: 0.80cm ISBN: 9781803092775ISBN 10: 1803092777 Pages: 138 Publication Date: 05 August 2023 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Out of stock The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsReviewsThe most striking quality in this volume of newly translated essays by Barthes, written between 1950 and 1977, is their freshness. . . . A humane and consistent vision threads through them: Barthes asserts firmly that literature matters, those in power lie, and killing for the sake of a doctrine is wrong. He writes with a clarity and brevity that strike to the heart of issues still relevant decades after his death: race, propaganda, abuse of power. . . . This collection is strongly recommended: it more than repays the reader's time and effort. * Publishers Weekly * The most striking quality in this volume of newly translated essays by Barthes, written between 1950 and 1977, is their freshness. . . . A humane and consistent vision threads through them: Barthes asserts firmly that literature matters, those in power lie, and killing for the sake of a doctrine is wrong. He writes with a clarity and brevity that strike to the heart of issues still relevant decades after his death: race, propaganda, abuse of power. . . . This collection is strongly recommended: it more than repays the reader's time and effort. -- Publishers Weekly Author InformationRoland Barthes (1915–80) was a professor at the Collège de France until his death. His books include Camera Lucida: Reflections on Photography; Image, Music, Text; and A Lover’s Discourse: Fragments. Chris Turner is a writer and translator who lives in Birmingham, England. He has translated Jean-Paul Sartre’s The Aftermath of War, Portraits, and Critical Essays and André Gorz’s Ecologica and The Immaterial, all published by Seagull Books. Tab Content 6Author Website:Countries AvailableAll regions |