Overview

The Routledge Companion to Twentieth and Twenty-First Century Latin American Literary and Cultural Forms brings together a team of expert contributors in this critical and innovative volume. Highlighting key trends within the discipline, as well as cutting-edge viewpoints that revise and redefine traditional debates and approaches, readers will come away with an understanding of the complexity of twenty-first-century Latin American cultural production and with a renovated and eminently contemporary understanding of twentieth-century literature and culture. This invaluable resource will be of interest to advanced students and academics in the fields of Latin American literature, cultural studies, and comparative literature.

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Guillermina De Ferrari is Halls-Bascom Professor of Caribbean Literatures and Visual Cultures at the University of Wisconsin-Madison. She is a 2020 Guggenheim Fellow and has published extensively on Caribbean Literatures and Visual Cultures. She is the author of Vulnerable States: Bodies of Memory in Contemporary Caribbean Fiction (2007), Community and Culture in Post-Soviet Cuba (2014), and Apertura: Photography in Cuba Today (2015). She is coeditor of the Routledge series Literature and Contemporary Thought. Mariano Siskind is Professor of Romance Languages and Literatures and Comparative Literature at Harvard University. He is the author of Cosmopolitan Desires: Global Modernity and World Literature in Latin America (2014), Rumo a um cosmopolitismo da perda. Ensaio sobre o fim do mundo (2020) and The Modernist Songbook. Standards y variaciones sobre formas muertas (2021). He has edited Homi Bhabha's Nuevas minorías, nuevos derechos (2013) and has coedited with Sylvia Molloy Poéticas de la distancia. Adentro y afuera de la literatura argentina (2006); with Gesine Müller, World Literature, Cosmopolitanism, Globality: Beyond, Against, Post, Otherwise (2019). In 2022 he will publish the collection of essays Dislocaciones y fin de eso que ya no es mundo, and is working on another one, tentatively titled About the End of the World: The Demise of Cosmopolitanism in Contemporary Culture.

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