Awards

• Winner of Nobel Prize in Literature 2006

Overview

From the Nobel Prize winner and bestselling author of Snow and My Name Is Red, a fable of fathers and sons and the desires that come between them. On the outskirts of a town thirty miles from Istanbul, a well digger and his young apprentice—a boy fleeing the confines of his middle class home—are hired to find water on a barren plain. As they struggle in the summer heat, excavating without luck meter by meter, they develop a filial bond neither has known before. But when the boy catches the eye of a stunning red-haired woman who seems as fascinated by him as he is by her, the events that ensue change the young man’s life forever and haunt him for the next thirty years. A tale of family and romance, of youth and old age, of tradition and modernity, The Red-Haired Woman is a beguiling mystery from one of the great storytellers of our time.

Full Product Details

9781101974230

Table of Contents

Reviews

[Pamuk] is a weaver of tales par excellence. --The Wall Street Journal A parable about present-day Turkey. . . . It blends the close observation of details with the broad brushstrokes usually associated with myth-making and fables. --The Guardian An amazingly gifted writer. --NPR Beautifully written . . . a thoughtful consideration of Western and Eastern myths of fathers and sons, and the limits of free will. --Pittsburgh Post-Gazette Saturated with sympathy and sense of place. . . . This book sings with the power of diverse remembrance. --Financial Times Extraordinary. . . . The reader feel[s] as if they've emerged from the depths of a well into sudden and dazzling light. --The Observer Pamuk traces the disastrous effects of a Turkish teenager's brief encounter with a married actress, elaborating on his fiction's familiar themes: the tensions between East and West, traditional habits and modern life, the secular and the sacred. --The New York Times Book Review Story-telling at its finest. . . . There is nothing more rewarding than reading a work by a master craftsman at the top of his game, nothing else like it at all. --Counterpunch An ending that makes you immediately start the book all over again speaks for itself. --The Sunday Times (London) Quietly beautiful. --1843 It can fall to fiction to remind us of what has come before . . . a tale of slow-reveal secrets [and] love. --Vogue The Red-Haired Woman drapes Turkey's political situation in the language of myth, suggesting that the ancient pairs of Oedipus and Laius and Sohrab and Rostam may have company in the present. --The New Yorker Engaging and deftly told. . . . Pamuk's postmodern puzzles are meticulous as ever. --Bookforum Absorbing . . . Pamuk's intense political parable tells us much about the plight of Turkey today. --Evening Standard (London) The allure that Pamuk evokes in this haunting tale of hardship, unrequited love, guilt, danger, dreams fulfilled and dreams destroyed is the stuff that Eastern literature tragedies are made of. --Bookreporter Pared down, written with deliberate simplicity. . . . Polyphonic narratives are replaced by a powerful, engaging clarity. --The Spectator Beautiful. . . . Pamuk masterfully contrasts East with West, tradition with modernity, the power of fables with the inevitability of realism. --Booklist (starred review)

[Pamuk] is a weaver of tales par excellence. -The Wall Street Journal A parable about present-day Turkey. . . . It blends the close observation of details with the broad brushstrokes usually associated with myth-making and fables. -The Guardian An amazingly gifted writer. -NPR Beautifully written . . . a thoughtful consideration of Western and Eastern myths of fathers and sons, and the limits of free will. -Pittsburgh Post-Gazette Saturated with sympathy and sense of place. . . . This book sings with the power of diverse remembrance. -Financial Times Extraordinary. . . . The reader feel[s] as if they've emerged from the depths of a well into sudden and dazzling light. -The Observer Pamuk traces the disastrous effects of a Turkish teenager's brief encounter with a married actress, elaborating on his fiction's familiar themes: the tensions between East and West, traditional habits and modern life, the secular and the sacred. -The New York Times Book Review Story-telling at its finest. . . . There is nothing more rewarding than reading a work by a master craftsman at the top of his game, nothing else like it at all. -Counterpunch An ending that makes you immediately start the book all over again speaks for itself. -The Sunday Times (London) Quietly beautiful. -1843 It can fall to fiction to remind us of what has come before . . . a tale of slow-reveal secrets [and] love. -Vogue The Red-Haired Woman drapes Turkey's political situation in the language of myth, suggesting that the ancient pairs of Oedipus and Laius and Sohrab and Rostam may have company in the present. -The New Yorker Engaging and deftly told. . . . Pamuk's postmodern puzzles are meticulous as ever. -Bookforum Absorbing . . . Pamuk's intense political parable tells us much about the plight of Turkey today. -Evening Standard (London) The allure that Pamuk evokes in this haunting tale of hardship, unrequited love, guilt, danger, dreams fulfilled and dreams destroyed is the stuff that Eastern literature tragedies are made of. -Bookreporter Pared down, written with deliberate simplicity. . . . Polyphonic narratives are replaced by a powerful, engaging clarity. -The Spectator Beautiful. . . . Pamuk masterfully contrasts East with West, tradition with modernity, the power of fables with the inevitability of realism. -Booklist (starred review)

Quietly beautiful. --Fiammetta Rocco, 1843 Pamuk's excellent 10th novel, which focuses on father-son relationships, has a fable-like feel that brings Paul Auster's work to mind. . . . [It] pores over father-son relationships with almost painful intensity . . . [and] makes the reader feel as if they've emerged from the depths of a well into sudden and dazzling light. --Alex Preston, Observer (London) Saturated with sympathy and sense of place, the book charts a boy's journey into manhood and Turkey's into irreversible change. But it is above all a book of ideas. Pamuk's work promotes the fact that we should always interrogate the past but never deny or bury it. History--personal, imagined, actual--reminds us to remember, to think better. . . . This book sings with the power of diverse remembrance. --Bettany Hughes, Financial Times (London) An ending that makes you immediately start the book all over again speaks for itself. --The Sunday Times (London) An intriguing modern take on the Oedipus story. . . . It's a deep, honest, poignant, painful exploration of humanity's ability to cover up its own essence with civilised ideas and behaviours. --The Herald (London) Absorbing . . . Pamuk's intense political parable tells us much about the plight of Turkey today. --Evening Standard (London) Pamuk's tale of love and death draws heavily on the Oedipus myth, but such is his mastery of storytelling that every character feels fresh, while the vignettes of modern Turkey ring true. --Mail on Sunday (London) The Red-Haired Woman is shorter than Orhan Pamuk's best-known novels, and is, in comparison, pared down, written with deliberate simplicity--ostensibly by a narrator who knows that he is not a writer, but only a building contractor. Polyphonic narratives are replaced by a powerful, engaging clarity. . . . The themes of parricide and filicide resonate beyond acts of accidental or mindless murder: they explore the loss of connection between generations--which is tragic, yet also necessary. The shifts between generations is beautifully shown through the often hideous changes wrought in Istanbul itself by modernisation. --The Spectator (London) He is a weaver of tales par excellence, with an unmatched sense for the ways that social change affect individual psychology and a restrained, genteel prose style that disguises the unruly passions just below the surface. In this mode he most resembles Ivan Turgenev, the great portraitist of 19th-century Russia... Allusive, enchanting and perfectly controlled. --The Wall Street Journal Europe Playful and unsettling. . . . At times, it seems to owe as much to Dostoevsky as to the epics of the long-distant past; it moves forward by indirection, swapping modes and registers at will. . . . An intriguing addition to his body of work. --The New Statesman (London) A pleasure to read. --The Scotsman (Edinburgh) Orhan Pamuk has written better than most contemporary novelists about the relationship between east and west. . . . The Red-Haired Woman, like all good novels determined to deliver political and social criticism, understands that pleasure in the means of the delivery must equal the value of the thing said. --Andrew Motion, The Guardian (London) It can fall to fiction to remind us of what has come before . . . a tale of slow reveal secrets [and] love. --Megan O'Grady, Vogue Pamuk masterfully contrasts East with West, tradition with modernity, the power of fables with the inevitability of realism...As usual, Pamuk handles weighty material deftly, and the result is both puzzling and beautiful. --Booklist (starred review) An extraordinary piece of writing...The Red-Haired Woman is a book that pores over father-son relationships with almost painful intensity...[it] has a lapidary, fable-like feel to it, closer in spirit to earlier novels such as Snow and The Silent House...The twist in the tail makes the reader feel as if they've emerged from the depths of a well into sudden and dazzling light. --Alex Preson, The Guardian Engaging and deftly told...Pamuk's postmodern puzzles are meticulous as ever, and The Red-Haired Woman contains a wealth of atmospheric detail and memorable scenes. --Marc Edward Hoffman, Bookforum Pamuk skillfully intermingles textual traditions and historical time periods, establishing the trademark intertextuality and intertemporality of his fiction...The Red-Haired Woman, though it engages father-and-son conflict, is, importantly, a woman's story...On one hand, [it] is a novel that celebrates characters who are Oedipalized into the modern neoliberal order. On the other hand, while that celebration exposes familial violence, it conceals a concomitant history of state violence that maintains the patriarchal order. The success of this novel, subtly staged, is that it allows us to consider how these ideologies might coexist. --Erdag Goknar, The LA Review of Books Pamuk writes with the lean, archaic simplicity of parable, gradually adding moral weight to his tale with each successive chapter...The Red-Haired Woman is a novel of uncommon moral power. It blends myth and life, fatalism and freedom, into a harrowing literary experience. It's the work of a master writer. --Shelf Awareness A giant of world literature, a master storyteller, a Nobel Prize-winner, Turkish novelist Orhan Pamuk's books have sold more than 13 million copies and been translated into more than 63 languages. His latest The Red-Haired Woman is the tale of a young man seeking a father figure but like many of his books it raises larger political questions. --Jon Snow, Channel 4 News (London)

Quietly beautiful. --Fiammetta Rocco, 1843 Pamuk's excellent 10th novel, which focuses on father-son relationships, has a fable-like feel that brings Paul Auster's work to mind. . . . [It] pores over father-son relationships with almost painful intensity . . . [and] makes the reader feel as if they've emerged from the depths of a well into sudden and dazzling light. --Alex Preston, Observer (London) Saturated with sympathy and sense of place, the book charts a boy's journey into manhood and Turkey's into irreversible change. But it is above all a book of ideas. Pamuk's work promotes the fact that we should always interrogate the past but never deny or bury it. History--personal, imagined, actual--reminds us to remember, to think better. . . . This book sings with the power of diverse remembrance. --Bettany Hughes, Financial Times (London) An ending that makes you immediately start the book all over again speaks for itself. --The Sunday Times (London) An intriguing modern take on the Oedipus story. . . . It's a deep, honest, poignant, painful exploration of humanity's ability to cover up its own essence with civilised ideas and behaviours. --The Herald (London) Absorbing . . . Pamuk's intense political parable tells us much about the plight of Turkey today. --Evening Standard (London) Pamuk's tale of love and death draws heavily on the Oedipus myth, but such is his mastery of storytelling that every character feels fresh, while the vignettes of modern Turkey ring true. --Mail on Sunday (London) The Red-Haired Woman is shorter than Orhan Pamuk's best-known novels, and is, in comparison, pared down, written with deliberate simplicity--ostensibly by a narrator who knows that he is not a writer, but only a building contractor. Polyphonic narratives are replaced by a powerful, engaging clarity. . . . The themes of parricide and filicide resonate beyond acts of accidental or mindless murder: they explore the loss of connection between generations--which is tragic, yet also necessary. The shifts between generations is beautifully shown through the often hideous changes wrought in Istanbul itself by modernisation. --The Spectator (London) He is a weaver of tales par excellence, with an unmatched sense for the ways that social change affect individual psychology and a restrained, genteel prose style that disguises the unruly passions just below the surface. In this mode he most resembles Ivan Turgenev, the great portraitist of 19th-century Russia... Allusive, enchanting and perfectly controlled. --The Wall Street Journal Europe Playful and unsettling. . . . At times, it seems to owe as much to Dostoevsky as to the epics of the long-distant past; it moves forward by indirection, swapping modes and registers at will. . . . An intriguing addition to his body of work. --The New Statesman (London) A pleasure to read. --The Scotsman (Edinburgh) Orhan Pamuk has written better than most contemporary novelists about the relationship between east and west. . . . The Red-Haired Woman, like all good novels determined to deliver political and social criticism, understands that pleasure in the means of the delivery must equal the value of the thing said. --Andrew Motion, The Guardian (London) It can fall to fiction to remind us of what has come before . . . a tale of slow reveal secrets [and] love. --Megan O'Grady, Vogue Pamuk masterfully contrasts East with West, tradition with modernity, the power of fables with the inevitability of realism...As usual, Pamuk handles weighty material deftly, and the result is both puzzling and beautiful. --Booklist (starred review) An extraordinary piece of writing...The Red-Haired Woman is a book that pores over father-son relationships with almost painful intensity...[it] has a lapidary, fable-like feel to it, closer in spirit to earlier novels such as Snow and The Silent House...The twist in the tail makes the reader feel as if they've emerged from the depths of a well into sudden and dazzling light. --Alex Preson, The Guardian Engaging and deftly told...Pamuk's postmodern puzzles are meticulous as ever, and The Red-Haired Woman contains a wealth of atmospheric detail and memorable scenes. --Marc Edward Hoffman, Bookforum Pamuk skillfully intermingles textual traditions and historical time periods, establishing the trademark intertextuality and intertemporality of his fiction...The Red-Haired Woman, though it engages father-and-son conflict, is, importantly, a woman's story...On one hand, [it] is a novel that celebrates characters who are Oedipalized into the modern neoliberal order. On the other hand, while that celebration exposes familial violence, it conceals a concomitant history of state violence that maintains the patriarchal order. The success of this novel, subtly staged, is that it allows us to consider how these ideologies might coexist. --Erdag Goknar, The LA Review of Books Pamuk writes with the lean, archaic simplicity of parable, gradually adding moral weight to his tale with each successive chapter...The Red-Haired Woman is a novel of uncommon moral power. It blends myth and life, fatalism and freedom, into a harrowing literary experience. It's the work of a master writer. --Shelf Awareness A giant of world literature, a master storyteller, a Nobel Prize-winner, Turkish novelist Orhan Pamuk's books have sold more than 13 million copies and been translated into more than 63 languages. His latest The Red-Haired Woman is the tale of a young man seeking a father figure but like many of his books it raises larger political questions. --Jon Snow, Channel 4 News (London)

“Allusive, enchanting and perfectly controlled ... [Pamuk] is a weaver of tales par excellence.” —The Wall Street Journal “A parable about present-day Turkey. . . . It blends the close observation of details with the broad brushstrokes usually associated with myth-making and fables.” —The Guardian   “An amazingly gifted writer.” —NPR “Beautifully written . . . a thoughtful consideration of Western and Eastern myths of fathers and sons, and the limits of free will.” —Pittsburgh Post-Gazette   “Saturated with sympathy and sense of place. . . . This book sings with the power of diverse remembrance.” —Financial Times “Extraordinary. . . . The reader feel[s] as if they’ve emerged from the depths of a well into sudden and dazzling light.” —The Observer   “Pamuk traces the disastrous effects of a Turkish teenager’s brief encounter with a married actress, elaborating on his fiction’s familiar themes: the tensions between East and West, traditional habits and modern life, the secular and the sacred.” —The New York Times Book Review   “Story-telling at its finest. . . . There is nothing more rewarding than reading a work by a master craftsman at the top of his game, nothing else like it at all.” —Counterpunch   “An ending that makes you immediately start the book all over again speaks for itself.” —The Sunday Times (London)   “Quietly beautiful.” —1843   “It can fall to fiction to remind us of what has come before . . . a tale of slow-reveal secrets [and] love.” —Vogue “The Red-Haired Woman drapes Turkey’s political situation in the language of myth, suggesting that the ancient pairs of Oedipus and Laius and Sohrab and Rostam may have company in the present.” —The New Yorker   “Engaging and deftly told. . . . Pamuk’s postmodern puzzles are meticulous as ever.” —Bookforum   “Absorbing . . . Pamuk’s intense political parable tells us much about the plight of Turkey today.” —Evening Standard (London)   “The allure that Pamuk evokes in this haunting tale of hardship, unrequited love, guilt, danger, dreams fulfilled and dreams destroyed is the stuff that Eastern literature tragedies are made of.” —Bookreporter   “Pared down, written with deliberate simplicity. . . . Polyphonic narratives are replaced by a powerful, engaging clarity.” —The Spectator   “Beautiful. . . . Pamuk masterfully contrasts East with West, tradition with modernity, the power of fables with the inevitability of realism.” —Booklist (starred review)

Author Information

Orhan Pamuk won the Nobel Prize for Literature in 2006. His novel My Name Is Red won the 2003 IMPAC Dublin Literary Award. His work has been translated into more than sixty languages.

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